An Annual Celebration of Excellence in All Areas of Design

Stay Tuned!

Mark your calendar for June 3rd when the 2015 Core77 Design Award Winners are announced and the Community Choice Award public voting begins.

Community Choice Info

Gain the recognition your work deserves

  • Visibility

    Leverage this opportunity to showcase work to a small team of leading design professionals who will critique, validate and offer perspective on your process and final pieces. Participants and winners will be featured on Core77 through out the year.

  • Opportunity

    From a portfolio ready piece to a job offer, participants in the Core77 Design Awards always walk away with more. Many of our winners receive inquiries into their work, collaborative invitations and other professional opportunities as a result of the Awards program exposure.

  • Inclusion

    We offer awards in 14 categories to ensure that no corner of the design world is left unexplored. Our dedicated student sections in 13 of the 14 total categories demonstrate our commitment to student work.

2015 Design Awards Categories

In addition to the beloved standards, you’ll find several progressive design categories that are analogous to the diversity of today’s design disciplines. Across all categories we offer a distinction to both Professional and Student entries, with the exception of Design Education Initiatives (Professional only).

Consumer Products

  • Final products designed specifically for individual use across a variety of environments and purposes, including but not limited to home, work, leisure, sporting, health and hygiene. Examples include: electronics, accessories, soft goods, housewares and appliances, personal care, tabletop, etc.

    • Shujan Bertrand Read More

      CEO and Owner, APLAT

      Shujan Bertrand’s design thinking and creative process has made an impact on brands around the globe, translating user-centered insights into new product and business opportunities. Shujan has a stellar background in soft good design, advanced product development, design research and strategy for brands such as: Coalesse, Steelcase, Nike, Samsung, Proctor & Gamble and Grid-it just to name a few. At the launch of the iPad, Shujan became Design Director of soft goods at Incase, and has worked internationally in Milan and Munich for companies like LG Electronics, Siemens and Istituto Europeo di Design. As designer researcher at Coalesse/Steelcase, Shujan focused on enriching workplace user experiences and designing furniture through a deeper understanding of the brain sciences in human senses and wellbeing.

      November 2014, Shujan launched the àplat collection. Designed and made in San Francisco with sustainable manufacturing processes. àplat collection has been featured in Heath Ceramics Maker Stories, Refinery29, Real and 7X7 magazine. You can find the àplat collection in stores at heath ceramics, mill mercantile and the SHED in Healdsburg.

    • Jason Mayden Read More

      Vice President of Design, Mark One

      In his previous role at Nike, Jason oversaw the design and execution of all conceptual products, data driven innovations and inline lifestyle and performance product for Jordan Brand, as the Senior Global Design Director. During his 13+ year career at Nike, Mayden led and contributed to the creation of innovative sport performances products for athletes and cultural icons such as Carmelo Anthony, Chris Paul, Russell Westbrook, Derek Jeter and Michael Jordan.

      In 2011, Mayden successfully received his Master’s in General Management and Social Innovation from Stanford University’s Graduate School of Business and shortly there after he returned to Nike as the Global Director of Innovation for Nike Digital Sport where he was responsible for the strategic investigation of new technologies and services, such as the Nike Fuel Band.

      In addition to his responsibilities as VP of Design at Mark One, Jason is also a d.Fellow at the Hasso Plattner Institute of Design at Stanford University, a frequent lecturer at Stanford University’s prestigious Graduate School of Business, a regular columnist/blogger for Hypebeast Magazine and and an advisory board member to his undergraduate alma mater, the College for Creative Studies.

    • David Whetstone Read More

      Design Director, Astro Studios

      David Whetstone is an industrial designer in San Francisco, CA, but his creativity comes from the basketball courts of Northeast Ohio where he discovered athletic sneakers and self expression on the court. He remembers observing the best players and taking particular interest in how they presented themselves through clothing, posture and speech. He trained himself to observe the details, understand what people really want and why those things fit with their particularly crafted lifestyle.

      This ability to connect with culture has stayed with him, and he has carefully crafted his industrial design career to design products that people wear and use as expression of self. His unique position as an industrial designer with passion to create fashion relevant pieces has allowed him to work with leading lifestyle brands like Nixon, Electric Visual, Nike, Incase, and The Art of Shaving. His work has been available to buy at big department stores like Nordstrom and Barneys New York to premier boutiques like Opening Ceremony and Colette.

      David Whetstone is currently a Design Director at Astro Studios in San Francisco, CA.

    • Adam Leonards Read More

      Principal Designer, Matter Product

      Adam is a Principal Designer at Matter™, where he leads creative teams from concept creation to product delivery. His expertise and passion is in the integration of hardware and digital design.

      Before joining Matter™ in 2013, Adam was a Principal Designer at frog and an Industrial Designer at fuseproject.

    • Max Burton Read More

      Founder and Chief Designer, Matter Product

      Max Burton, the founder of Matter™, is a product and interaction designer with over 2 decades of experiences. From housewares to digitally enabled products, he is inspired by participating in the creation of the future that melds technology with art and humanity.

      Prior to forming Matter™, Max worked as the Global Executive Creative Director for Product Design at frog, the Creative Director of Nike’s Tech Lab and the VP of Design at Smart in New York. His work has been exhibited at the MoMa in New York, the Design museum in London and the Chicago Athenaeum.

  • Jury Captain

    Hoang and Anh Nguyen

    Founders, Creative Session

    Hoang & Anh are the founders of Creative Session, a collaborative space for presenting trends, insights and impulsive ideas among the brothers in ways of industrial design. Industrial designers by trade but obsessed with story telling, graphics and branding.

    Beyond Creative Session they are leads at respectable agencies in San Francisco; Astro Studios and Matter Global. With 15 years of combined experience in consumer electronics they bring keen eye for sex appeal and functionality. They’ve worked on projects from small start-ups to fortune 500s.

Commercial Equipment

  • Equipment and systems designed for public, commercial, industrial, medical and scientific use (operational, production, construction, etc.) Examples include: machinery, medical instruments and devices, construction tools, transaction kiosks, weather instruments, etc.

    • Bill Evans Read More

      Principal and Founder, Bridge Design

      Bill Evans founded and leads Bridge Design which has focused for more than two decades on designing medical and life sciences products—from handheld to the purely virtual. His broad and deep industry perspective has resulted in powerful cross-pollination of ideas that often anticipate consumer and medical trends. He is a sought-after speaker on design and innovation at conferences and has written extensively for industry media. He has also been a guest lecturer and student mentor at UC Berkeley’s and Stanford University's industrial and product design programs. Bill has served on a number of boards, including the Venture Advisory Board for Kimberly-Clark, and the Editorial Advisory Board of industry leading publication Medical Device & Diagnostic Industry (MD&DI). He has also been named among the '100 Notable People' in the medical device industry by that same organization. Bill owns multiple patents and holds two masters level degrees, awarded jointly: an MDes in Industrial Design Engineering from the UK’s Royal College of Art, and a DIC in Engineering from its sister, Imperial College.

    • Mike Gallagher Read More

      Vice President of Design, Crown Equipment Corporation

      Mike Gallagher is VP – Design for Crown Equipment Corporation; a manufacturer of lift trucks and related products and services. Mike oversees the global multi-disciplined Design operations and leverages his competent staff to provide strategic innovation influence to an expanding and evolving company. Before his 20 years at Crown he held various corporate design and management positions. Mike graduated from the University of Cincinnati in Design and has juried several international design competitions. Crown Design has won over 50 major international design awards and was recognized by Fast Company Magazine as Thirty Companies that Get Design.

    • Sam Lucente Read More

      CDO and Co-Founder, Cookbrite

      Sam Lucente works as the CDO and Co-Founder of Cookbrite, a food business in the technology industry. As a designer, he focuses on bringing world class design approaches to bear on complex problems for society, organizations and the design profession at large. Sam is also Principal of Lucente Design. He previously worked as VP of Design for HP Worldwide, Netscape’s UX Director and head of IBM’s Strategic Design where he led many ThinkPad design efforts.

      Selected as one of Fast Company’s Masters of Design and BusinessWeek’s Champions of Innovation, Sam has judged design competitions worldwide. His work has been recognized with major design awards and is in permanent collection at the SFMOMA, the NY MoMA, the Smithsonian National Design Museum and other collections. Sam studied computer science extensively. Prior to that, he graduated magna cum laude from the College of Design, Architecture and Art at the University of Cincinnati.

  • Jury Captain

    Dan Harden

    President, CEO & Principal Designer, Whipsaw

    Dan is President, CEO, Principal Designer and cofounder of Whipsaw Inc., a highly acclaimed design firm in Silicon Valley, California. Whipsaw designs products and experiences for companies around the world including Google, Cisco, Clorox, GE, Haier, Intel, Leitz, Merck, Motorola, Nike, Olympus, Samsung and TP-Link, plus many exciting startups including Apnicure, Dropcam, Highfive, Livescribe, Nod Labs, and Yubo. Dan is a hands-on designer and directs the strategic and conceptual direction of most client accounts.

    Throughout his prolific career Dan has designed hundreds of highly successful products ranging from baby bottles to supercomputers. Some of these include the Google Chromecast, Dell’s Precision line, Nod Labs ring, Dropcam cameras, Cisco Telepresence systems, Livescribe smart pens, Eton emergency radios, Adiri baby bottles, Yubo lunch boxes, Highfive teleconferencing, Intel healthcare tablets, the Kaleidescape Cinema One, IGT slot machines, Leapfrog LeapPads, Roku TV devices, the Pano Logic computer, TP-Link networking devices, Topcon survey equipment, the Braun Thermoscan thermometer, Motorola phones, the Gateway PC line, Sony headsets, the original Acer Aspire PC line, NeXT computers, Oracle Network Computers, Logitech mice, and the first digital answering machine for AT&T.

    Fast Company magazine selected Dan as one of “The 100 Most Creative People in Business 2014”, calling him “design’s secret weapon”. Fast Company also ranked Whipsaw among the “Top 5 design firms in the world” in 2009 and they featured Dan as a “Master of Design” in 2005. Dan's views and work have also been featured in Abitare, Axis, Business Week, CNN, Domus, Form, Fortune, Metropolis, Newsweek, Time, Wired, and several design books.

    Dan has won over 200 design awards (many IDEA, Red Dot, iF, MDEA, D&AD, G-Mark Good Design) and has been granted over 250 design and utility patents. His work is in the Smithsonian Cooper Hewitt Museum, the Chicago Athenaeum, and the Pasadena Museum of California Art. Dan was inducted into the World Technology Network in 2013. WTN is a curated membership community in association with TIME, Fortune and CNN that is comprised of the world’s most innovative individuals in science, technology and design. The WTN honors those individuals that are doing “the most innovative work of the greatest likely long term significance”.

    Dan frequently lectures on design topics at universities and conferences, including being keynote at the Australia Design Forum; keynote at the Wuxi Design Conference ; keynote and Chairman of the IDSA National Conference Collideoscope (’02), and he was a United Nations Design Delegate to China in ‘98.

    Prior to cofounding Whipsaw in 1999, Dan was the President of Frogdesign where he designed many notable products and led the company for ten years. Before joining Frogdesign in 1989 he was a lead designer at Henry Dreyfuss Associates. In the early eighties Dan interned with design master George Nelson. He also interned at Hewlett Packard and Richardson Smith (later became Fitch).  Dan graduated from the University of Cincinnati, College of Design, Architecture and Art in 1982.

Furniture & Lighting

  • Furniture and lighting products or systems for private, public, commercial or industrial use. Examples include: home or public seating, office systems, lighting, workstations, etc.

    • Claire Thomas Read More

      Campaigner, Design for 99

      Claire is interested in the social value of design, and runs the new campaign She brings her experience of working with internationally acclaimed designers, architects and cultural organizations, advising communications strategy, running high level media campaigns and lobbying for government policy to support the design, technology and manufacturing industries.

      Clients and projects include - Design Museum London, Ron Arad Architects, Venice Biennale commissions by John Pawson and Zaha Hadid for Swarovski, Formafantasma for Established & Sons, Serpentine Pavilion designed by Peter Zumthor, London 2012 Cultural Olympiad, Bloomberg’s contemporary art commission and the young creatives programme at the Roundhouse, Rolex Awards for Enterprise, Design Ventura sponsored by Deutsche Bank, and PR at Dyson including the James Dyson Awards. The brilliance of the inventors, artists, scientists and makers she met along the way inspired the creation of a campaigns agency that champions ingenious solutions to social, environmental and civic challenges.

    • David Harvey Read More

      Wine Importer, Raeburn Fine Wines

      David Harvey is a wine importer with Raeburn Fine Wines, and a writer. He works with elite nature-centric wine producers of West Europe, and gets involved with closures, packaging, marketing, buying and sales.

      He contributes to The World of Fine Wine, the award winning publication, and has recently written an entry for The Oxford Companion to Wine (2015 edition). In 2004, while working on Mt. Etna, he created the name 'orange wine' for the renaissance of white grapes processed like red grapes in the cellar, which has since stuck and become the international standard.

      David studied writing at Harvard Summer School, wine at the WSET, and photography at Filton College.

    • Luke Pearson Read More

      Founding Partner, PearsonLloyd

      Luke Pearson is an industrial designer and founding partner (with Tom Lloyd) of the London design studio PearsonLloyd. The studio works in environments that have demanding spatial, ergonomic and social needs, such as healthcare, aviation, workplace and cities. Recent projects include work for Joseph Joseph, Department of Health, Lufthansa, City of Bath, Intercontinental Hotels, Bene, and Poltrona Frau. The studio believes in the power of design to transform the way in which people use and experience public spaces and services, and to deliver products that are both efficient and beautiful. Luke was awarded the distinction of Royal Designer for Industry by The Royal Society of Arts in 2008, and in 2012 Luke and Tom were named in the top 50 designers ‘Shaping the Future’ by Fast-Co Magazine in New York.  Luke trained in Industrial Design at Central St Martins, (BA Hons 1991) before completing a Master’s Degree MA (RCA) in Furniture Design at the Royal College of Art in 1993.  He worked with Ross Lovegrove in London before joining Tom to found PearsonLloyd in 1997.

  • Jury Captain

    Paul Cocksedge

    Founder, Paul Cocksedge Studio

    Paul Cocksedge studied under Ron Arad during his MA in Product Design at the Royal College of Art, and was introduced to Issey Miyake and Ingo Maurer, both of whom staged early exhibitions of his work. Maurer went so far as to give Paul a show within his own show at Milan Design Week 2003, introducing his lights ‘Styrene’, ‘NeON’, and an early work that was to be developed into ‘Life 01’ with FLOS.

    Paul has since gone on to become one of Britain's leading designers, founding Paul Cocksedge Studio with business partner Joana Pinho in 2004. The Studio’s catalogue includes an imaginative range of design products, architectural projects, sculptures and lighting, all infused with the sense of simplicity, joy and wonder that has come to characterise Paul Cocksedge’s work.

    His magical interactive installation ‘KISS’ in which the power of a kiss activates a spectacular lighting display, has travelled to cities worldwide from Milan to Shanghai, raising important sums for charities in the process. Paul is invited to participate in design festivals across the world, where his playful and technogically ingenious sculptures and installations (‘Drop’, ‘Bourrasque’, ‘SestoSenso’ to name but a few) have caught the public’s imagination and received extensive media attention.

    Paul has also developed a unique range of products, available from, including the award-winning The Vamp®, a Bluetooth amplifier which makes any speaker wireless and is proving a popular way of giving a new lease of life to vintage speakers. Other products include the stylish and innovative Double O bicycle light.

    In 2013 Paul had his first solo show in New York, ‘Capture’, and was also commissioned to design a feature staircase, ‘The Living Staircase’, for Ampersand, the state-of-the-art creative office development in Soho, London, due for completion in early 2015.

    The Studio’s direction is currently moving towards the design of more permanent structures that affect the way people interact with their surroundings on a longer-term basis, as well as creating the magical but fleeting installations for which Paul is known. In 2014, his design for the UK Pavilion in collaboration with Arup engineers was shortlisted for the Milan World Expo 2015. Paul is currently working with the Shanghai Glass Museum to design the first cast-glass building.

    Accolades include: Homes & Gardens Product and Innovation Designer (for The Vamp, 2014), The Design Museum's 'Designer of the Year' Award nomination (2004), Brit Insurance 'Designs of the Year' Award nomination (2008), Grand Designs Awards 'Best Lighting Design' Finalist (2009), Elle Decoration Best British Design Nomination (2010).

Built Environment

  • Spatial design as it relates to physical interiors, exhibitions or installations, either permanent or temporary, for private, public, commercial or industrial purposes. Examples include: public installations, restaurant/hospitality interiors, office or medical interiors, set designs, retail displays, exhibition booths, etc. *Previously Interiors & Exhibitions*

    • Will Hunter Read More

      Founding Director, London School of Architecture

      Will is the deputy editor of The Architectural Review, and is the founder of Alternative Routes of Architecture (ARFA), a think-tank exploring alternative educational models. He has previously been editor of the monthly magazines of The Architects’ Journal (AJ) and Building Design (BD). He has taught architecture at both London Metropolitan University and the Royal College of Art; at the latter as a design unit master and chair of the architecture school’s public lecture program.

      Will has judged numerous competitions, including the Global Architecture Graduate Awards(chair) and the RIBA President’s Medals dissertation prize 2013. He has recently completed a report for RIBA Building Futures, and is currently working on a monograph of Peter Salter’s Walmer Yard project in West London (AA Publications).

    • Vicky Richardson Read More

      Director of Architecture, Design and Fashion, British Council

      Vicky Richardson is Director of Architecture, Design and Fashion at the British Council. She organizes a busy international program of touring exhibitions, residencies, exchanges and talks and is Commissioner of the British Pavilion at Venice Architecture Biennale. Vicky studied at Central St Martins, Chelsea School of Art and the University of Westminster. Following a degree in architecture, she became an architectural journalist, and was Deputy Editor at the RIBA Journal before becoming Editor of design magazine Blueprint, from 2004 to 2010.

      Vicky is a co-director of the London Festival of Architecture and is an adviser to the Mayor on culture and creative industries as a member of the London Mayor’s Cultural Strategy Group.

      Vicky has written several books including New Vernacular Architecture (Laurence King, 2002) and continues to write about architecture and design for a variety of publications, as well as the British Council design blog, Back of the Envelope.

  • Jury Captain

    Laura Allen & Mark Smout

    Senior Lecturers, Bartlett School of Architecture, UCL.

    Mark Smout and Laura Allen are Senior Lecturers at the Bartlett School of Architecture, UCL. Their work takes two routes, architectural competitions, where the particular rigor of the competition brief, site and program provide the basis for new investigations and, conceptual design projects which test out the agenda and methodology of the design research practice. They focus on the dynamic relationship between the natural and the man made and how this can be revealed to enhance the experience of the architectural landscape.

Visual Communication

  • All visual and graphic design, branding and identity projects for print, digital or physical environments. Examples include: logos and identity systems, environmental graphics, signage, typefaces, infographics, motion graphics, print design, advertising, etc.

    • Matt Willey Read More

      Art Director, The New York Times Magazine

      Matt graduated from Central St Martins in 1997. Having gained valuable experience at a handful of small design companies he joined the internationally acclaimed studio Frost Design, later becoming Creative Director. In 2005 he co-founded Studio8 Design with Zoë Bather. Matt is a co-founder of Port Magazine, which launched in February of 2011. In 2014 he was named Designer of the Year by Creative Review.

      He is currently the Art Director of The New York Times Magazine.

    • Pablo Juncadella Read More

      Founder, Mucho

      Pablo Juncadella was born in Barcelona in 1977 and graduated with honors at Eina, University School of Design and Art (Barcelona) in 1999. He worked at Grafica and Pentagram London before founding Mucho (together with his partner Marc Català). During his first 3 years of Mucho he combined running the studio with being the joint creative direction of the UK newspaper, The Observer. Today Mucho incorporates the original independent studio mentality with a global approach to design.

      Pablo's approach to design is focused on simplicity, wit and creative problem solving together with an interest in Typographic expression.

      He is a teacher at Eina, University School of Design and Art, and director of the Masters degree in Graphic Design and Communication program at ELISAVA, Barcelona School of Design and Engineering. He is also Co-author of “No somas Hormigas” a book discussing positive views on the world and its consumption new habits.

    • Professor Teal Triggs Read More

      Associate Dean of the School of Communication, Royal College of Art

      Teal Triggs, is a Professor of Graphic Design and Associate Dean, School of Communication, Royal College of Art, London. As a graphic design historian, critic and educator she has lectured and broadcast widely and her writings have appeared in numerous edited books and international design publications. Her research has focused primarily on design pedagogy, self-publishing, and feminism. Teal is also Editor-in-Chief of Journal of Communication Design (Bloomsbury/ico-D) and co-editor of Visual Communication (Sage) and Associate Editor of Design Issues (MIT Press). She is currently co-editing a new book The Graphic Design Reader (Bloomsbury). Her previous books include: Fanzines and, The Typographic Experiment: Radical Innovations in Contemporary Type Design, both published by Thames & Hudson. She is a Fellow of the International Society of Typographic Designers, the Royal College of Art and the Royal Society of Arts.

    • Marion Deuchars Read More

      Author and Illustrator,

      British illustrator and author Marion Deuchars works with major design and advertising agencies, publishes illustrated children's books and has created a globally recognized style of hand-lettering. Whether it’s client work for the likes of The Royal Mail and The Imperial War Museum, or inspiring youngsters with her Let’s Make Great Art books, Marion’s impact on the creative scene continues to be wide-ranging. She is a member of the Alliance Graphique Internationale and represented the UK at Helsinki's World Design Capital celebrations.

      Her latest book, Draw Paint Print like the Great Artists, was published by Laurence King in Autumn 2014.

  • Jury Captain

    Astrid Stavro

    Partner & Creative Director, Atlas

    Astrid Stavro graduated with a First Class Certificate from Central Saint Martins College of Art & Design and with Distinction from The Royal College of Art in London. In 2004 she returned to her native land of Spain to start her own design practice in Barcelona. Astrid Stavro’s strongly rooted conceptual solutions and distinctive typographic approach quickly won international critical acclaim. Her work has been recognized nationally and internationally with over 150 highly acclaimed creative awards including D&AD, The Annual (Creative Review), Design Week Awards, The International Society of Typographic Designers and Art Directors Club of New York. She is a recurrent jury member in design competitions and lectures in design conferences worldwide. Stavro writes for various design journals and is currently the Art Director as well as a contributing editor of Elephant magazine.


  • All graphic design, branding and structural designs related to the packaging of products. Examples include: primary or secondary packaging for Fast Moving Consumer Goods or premium brands, promotional packaging and gifting programs, limited editions, etc.

    • Ayush Kasliwal Read More

      Founder, Ayush Kasliwal Design Private Ltd.

      Ayush Kasliwal is the Founder of Ayush Kasliwal Design Private Ltd.

    • Manabu Tago Read More

      President, Art Director and Designer, MTDO inc.

      Mr. Tago graduated from the Class-II Design Management program of Tokyo Zokei University.

      He was engaged in the design development of various home electrical appliances and information technology devices at Toshiba Design Center Corporation. Following a career at Toshiba, he served as design management director at REALFLEET Co., Ltd. Subsequently, he launched MTDO in 2008 to try and open up new areas up until now. He is currently engaged in design, direction and management throughout the entire process from concept creation to production in a wide range of industries.

      He is also the recipient of many awards: iF Product Design Award 2013 (GOLD), reddot Design Award Best of the Best 2013 and Design for Asia Award 2013 Grand Award—just to name a few.

    • Dinesh Korjan Read More

      Founder and Partner, Studio Korjan

      Founder and Partner of Studio Korjan, Ahmedabad, Dinesh is one of the pioneers of Product Design practice in India. He complements his practice with active engagement in academics and teaches at many leading design schools including Indian Institute of Technology (IIT), Gandhinagar, National Institute of Design (NID), Ahmedabad, Srishti School of Art Design & Technology, Bangalore, IICD. Jaipur, School of Interior Design, CEPT University, Ahmedabad, Pearl Academy of Fashion, Jaipur, FLAME, Pune. He has also been conducting design workshops in India and abroad.

      Dinesh believes that Design is finally about re-arranging information flows. He has, for the last two decades, been persuading Indian industry to invest in design for long term returns rather than write off design spending as an expense.

      He is currently an advocate of Plan D–the effort to find design solutions for real world problems.

  • Jury Captain

    Nishma Pandit

    Director & Principal Designer, Ticket Design

    Nishma is a co-founder and Director at Ticket Design, a design and innovation consulting firm involved in product, packaging and UX design. Under her leadership Ticket Design has established itself as a respected design consulting firm, with a wide variety of award winning products launched in the Indian as well as International markets. Some of the awards that Ticket Design has won under her vision are Red Dot Product Design Award in 2013, CII award for UX design 2013 and Silver award at US Appliance Design.

    During her tenure at Ticket Design, she has been the force of converting ideas into reality. With a robust background in design and years of hands-on design realization she brings her extensive knowledge of product development to the projects. Her project management experience has helped her team to get to the root of a problem and look at meaningful creative solutions. Nishma has helped to create award winning solutions in the medical, packaging, consumer, appliances and telecommunication domain. She is an alumnus of NID (National Institute of Design, Ahmedabad), Asia's premier design school. Nishma, started her career as an industrial designer with Tata Johnson Controls in which she designed passenger car seating. Nishma went on to design several products for Bluestar, Whirlpool, Siemens, Honeywell as well as other companies.


  • Interactive content and user interface design for websites, mobile devices and experiential installations. Examples include: software, mobile apps, interactive projections, animations, simulations, robotics, etc.

    • Ian Spalter Read More

      UX Lead and Manager, YouTube

      Ian Spalter is a UX lead & Manager at Youtube

    • Carla Echevarria Read More

      Vice President and Head of Creative, MakerBot

      Carla Echevarria is an award-winning creative director with a design background and a decade of experience in digital product development and advertising.

      She leads the creative team at MakerBot, overseeing user experience design, visual design and copywriting. Her team is responsible for how users experience MakerBot across all channels: brand identity, website and digital properties, online and print advertising, social media, events, promotions, packaging design, print collateral, MakerBot Retail Stores, and third-party retail. Before joining MakerBot, Carla led creative teams at the Facebook Creative Shop, Google Creative Lab and R/GA.

      She is also on the faculty of the undergraduate Graphic Design and Advertising department of the School of Visual Arts.

      Her work has won awards at the Cannes Lions, One Show, D&AD, Art Director's Club and the Webbys, and has been published in the AIGA Design 365, Creativity Review, Creativity Magazine and Communication Arts. She has spoken at various industry events, including SXSW Interactive, AIGA events and the FindSpark Creative Conference. She also serves on the board of directors for the New York chapter of the AIGA.

    • Matt Jones Read More

      Interaction Design Director, Google Creative Lab

      Matt Jones is an interaction design director at Google Creative Lab in New York. He has been designing digital products and services since 1995.

      Creative director for the launch of BBC News Online, he co-founded and designed in 2007, a service for frequent travelers since bought by Nokia. Between 2003 and 2005, he worked at Nokia on areas as diverse as tangible and physical interfaces and the human experience of play.

      Between 2009 and 2012 he was a principal at BERG, a design and invention company in London that has had projects exhibited in MoMA and products featured in Financial Times, Fast Company, Wired and Marvel Comics.

      He studied architecture and wrote for ten years about interaction design here:, and now teaches a design interactions course at the Royal College of Art.

  • Jury Captain

    Jill Nussbaum

    Executive Director of Product and Interaction Design, The Barbarian Group

    Jill works with clients to develop long-term product experiences that explore emerging technologies and manages the Interaction Design team at the Barbarian Group. Previously she was an Executive Creative Director at R/GA, and a key player behind the design of the Nike+ platform. In her role, she oversaw the evolution of the platform to include Nike+ Fuelband, Nike+ Basketball and Nike+ Training.

    Jill is an active member of the New York design community and enjoys teaching, public speaking, writing, and advising young designers and tech start-ups. She currently teaches in the Interaction Design MFA program at SVA, and is a contributing writer for PSFK. She frequently guest lectures at conferences and learning institutions like Fast Company, SxSW, AIGA/NY, IxDA and General Assembly.

Service Design

  • All projects entailing the organization of end-users, communication, transactions, infrastructure, institutions and organizational systems. Examples include: distribution or delivery systems, ways of connecting people or enabling transactions, funding platforms, web-based communities, etc.

    • Adam Lawrence Read More

      Co-Founder, WorkPlayExperience

      Adam Lawrence is a customer experience consultant, stand-up comedian and professional actor with a background in psychology and the global automotive industry. For years he has been using expertise gained in the world of theater, film, music and storytelling to help organizations influence and impress their customers and partners. He has been a pioneer in the use of full-bodied development tools in service design, and in his focus on the dramatic arcs of experiences.

      Adam is co-founder of WorkPlayExperience, and co-initiator of the Global Service Jam - the world’s biggest ever service design event (so far). Follow him on Twitter: @adamstjohn

    • Luis Arnal Read More

      President and Founder, INSITUM

      Luis is President and Founder of INSITUM, a leading innovation consulting firm. He co-founded INSITUM in 2002 and today has more than 110 employees and offices in Mexico, Brazil, Spain, Colombia, Argentina, Peru and the United States. INSITUM helps the biggest companies in the world create an innovation culture by envisioning new products, developing new services and designing better experiences. He has been involved in more than 1000 innovation projects for a wide variety of sectors. Before founding INSITUM he worked as a strategy consultant for DiamondCluster in Barcelona and E-Lab (now Sapient) in Chicago.

      Luis holds a bachelor’s in Industrial Design and a Master’s degree in Innovation Planning from the Institute of Design, IIT in Chicago. He is a prolific speaker a member of the committee for various conferences on innovation and research.

    • Martha Cotton Read More

      Partner, gravitytank

      Martha is a Partner at gravitytank and has led the Research Discipline since the spring of 2008 when she joined the firm. She began her career at eLab in 1990s, and since then has worked across a wide variety of industries plying her skills as an applied ethnographer and business consultant. Stints include leadership roles at Sapient, Hall & Partners, and HLB. Clients are numerous and range from General Mills to General Motors; from SCJ to J&J; from Fidelity (Investments) to Security (U.S. Department of).

      Martha holds a BA in English from Indiana University and an MA in Performance Studies from Northwestern University. She is currently adjunct faculty at Northwestern University's Kellogg School of Management and the McCormick School of Engineering. Martha is former co-chair and current Advisory Committee member of the Ethnographic Praxis in Industry Conference (EPIC). She is also a contributing author in The Handbook of Anthropology and Business (Left Coast Press, May 2014).

  • Jury Captain

    Cathy Huang

    President, CBi China Bridge

    Cathy founded CBi China Bridge in 2003, the first insight-based innovation consulting firm in China. Recently, she co-founded Successful Design, a platform aiming to amplifying the value of design. Under her guidance, CBi has become a leading innovation firm, acting as the bridge linking creative design with business.

    Having broad influence both socially and on the global design industry, Cathy is frequently invited to conferences in North America, Europe, and Asia-Pacific. She enjoys adventures; from crossing the Gobi desert in Dunhuang to bungee jumping in New Zealand. Her continued dedication to challenging the limits fuels her creativity for both business and design.


  • Vehicles, systems or modes of transportation used to get people or objects from one place to another, for private, public, commercial or industrial purposes. Examples include: planes, trains, automobiles, buses, bikes, boats, mass transit systems, transportation infrastructure, etc.

    • Torgny Fjeldskaar Read More

      Design Director, BMC Switzerland

      Torgny initially studied mechanical engineering and earned a master’s degree at the Norwegian University of Science and Technology in Trondheim. Later on he studied Transport Vehicle Design at Elisava Design School in Barcelona.

      After graduating he started working for Mazda at their European design center in Frankfurt, then moved to Cannondale Bicycles, where he was heading up the industrial design team. Five years later he went back to automotive design at BMW in Munich, and last year he returned to bicycles again and is now Design Director at BMC Switzerland. Torgny was awarded “Young Designer of the Year” by the Norwegian Design Council in 2009, along with numerous  IF Awards for his work at Cannondale.

      As a side-project Torgny has co-founded, a small manufacturer of high-tech furniture. As a designer and design teacher he is interested in all sorts of transport vehicles and how urban design influences our habits and needs with respect to transportation.

      Torgny can be found on Twitter at @torgnyf.

    • Melissa Bruntlett Read More

      Co-Founder, Modacity

      Melissa Bruntlett is co-founder of Modacity, a multi-service consultancy, focused on inspiring healthier, happier, simpler forms of urban mobility through words, photography and film. She is a regular contributor for Momentum Magazine, The Vancouver Courier, Vanity Buzz and most recently Grist. Melissa is very active in her community, advocating for walking, cycling and public transportation improvements, and works as producer and project manager for Modacity's film campaigns. Her most recent work includes developing a marketing campaign for a Transit Referendum in the Metro Vancouver area. She lives in Vancouver, BC with her husband and two children, and makes riding a bicycle or walking throughout her beautiful city a daily activity.

      Follow her on Twitter at @mbruntlett.

    • Rob Cotter Read More

      Chief Designer and CEO, Organic Transit

      Rob is Chief Designer and CEO of Organic Transit, maker of the ELF, the most efficient vehicle on the planet. Built in Durham, NC the ELF is a new category in urban transportation, is solar assisted and gets the equivalent of 1800 mpg. ELF is the first in a line of vehicles that fill the space between a bicycle and a car. Rob has worked for Porsche, BMW, McLaren, AMG and Shimano. With DuPont and GE, he developed new ways of molding plastics and composite materials. He directed the American Solar Cup, the first solar car race in the US. He also served as an advisor to Gov. Jerry Brown, a Creative Director and a documentary producer. He also worked with Anita Roddick, CEO of The Body Shop launching environmental and human rights campaigns.

    • Eric Stoddard Read More

      Design Manager, Ford Motor Company

      Eric Stoddard is an accomplished automotive, transportation and product designer, with 17 years experience at major automotive OEMs including Ford, Hyundai and Chrysler.

      At Ford, Eric is responsible for mid-size passenger car exterior design, including Taurus and Fusion. He played a key role in establishing an all-new advanced design team in Detroit. Advanced programs include the next generation Fiesta, Focus, Mustang, Expedition and Navigator.

      At Hyundai, production automotive designs included the 2013 Santa Fe, 2011 Elantra, Genesis Coupe, Tucson, Equus, HCD9 Talus concept (2006), and 2007 Elantra. At Chrysler he conceived and led the exterior design of the Crossfire (concept and production), Pacifica and the Dodge SRT-4.

      At Ford, Eric is responsible for mid-size passenger car exterior design, including Taurus and Fusion. He played a key role in establishing an all-new advanced design team in Detroit. Advanced programs include the next generation Fiesta, Focus, Mustang, Expedition and Navigator.

      In addition to his automotive work, Eric consults in product design as founder of SpeedStudio Design. He has a passion for bicycle design and alternative transportation, having won awards for bicycle design concepts at Red Dot and the Taipei International Bicycle Show. He actively participates in design education, having taught courses and held demos at Cleveland Institute of Art, College for Creative Studies, Lawrence Technological University and Art Center College of Design. Eric holds Bachelor Fine Art from Cleveland Institute of Art, Class of 1998.

  • Jury Captain

    James Thomas

    Industrial Designer, Founder of

    James Thomas is an industrial designer with interests in cycling, photography, architecture, lighting, active transportation, sustainability, and generally speaking, all art & design. Over the course of his 20 year design career, James has worked on a wide variety of consumer products and interior environments and his award-winning designs have received recognition from top national outlets including the Wall Street Journal and Better Homes and Gardens.

    In 2005, James started, a website that quickly became a central place on the internet for discussion of design in the bicycle industry. All types of bicycles (and other human powered machines) are covered on the site, from the latest high-end road and mountain bikes to transportation oriented bikes and unique utilitarian designs. James has staged a couple of different design competitions on the Bicycle Design site, and has served on the jury of several other competitions including the “Cycling out of Poverty” African Bicycle Design Contest, GrabCAD’s Velodroom Bike Accessory Challenge and the ExtraEnergy France eBikeTec Design Contest. In addition to the Bicycle Design site, James can be found online at and on Twitter at @JCTdesign and @BicycleDesign.

Design for Social Impact

  • Projects specifically designed to directly benefit social, humanitarian, community or environmental causes. Examples include: community or environmental impact initiatives, products for underrepresented communities, distribution systems, disaster relief, etc.

    • Babitha George Read More

      Partner, Quicksand

      Babitha George is a Partner at Quicksand and leads multiple innovation projects within Quicksand. Her prior work in education in India prompted her to actively think about the role of design thinking in social impact contexts, leading her to steer several of Quicksand's social innovation projects, especially in the use of technology in education and vocational training contexts, to improve learning outcomes and create more engaging & transformational learning environments. She is a management graduate from IIM Ahmedabad, prior to which she studied English, Journalism & Psychology and with this background, Babitha believes strongly in the strength of multi-disciplinary approaches. Her core skills are in design strategy and research as it pertains to conceptualizing products and services that promote sustainability and quality of life, especially for low income communities.

      Babitha is one of the co-founders of the UnBox Festival. She is also on the Advisory Board of the Victor Papanek Foundation and was recently featured in the British Council's 'Blurring the Lines' exhibition in London, as one of sixteen people from around the world who are reinventing creative exploration and participation in their respective communities.

    • Dr. Mathilda Tham Read More

      Design Professor, Linnaeus University

      Dr Mathilda Tham’s work sits in a positive, activist space between design, futures studies and sustainability. Her research explores how design can intervene at the level of paradigms to support futures of sustainability. She uses design research as activism by staging and facilitating participatory and interdisciplinary workshops for critical and creative envisioning. Mathilda’s current research themes include metadesign, post-growth fashion, peace, and gender.

      As Professor in Design, Linnaeus University, Sweden, she leads the development of a new research platform Curious Design Change. She is a member of the board of Mistra (The Foundation for Strategic Environmental Research, Sweden). Mathilda Tham is a metadesign researcher, co-convenor of MA Design Futures and Metadesign, and PhD supervisor at Goldsmiths, University of London.

      Mathilda’s latest publication Routledge Handbook for Sustainability and Fashion, co-edited with Kate Fletcher, is now out.

    • Gill Wildman Read More

      Co-Founder and Principal, Plot

      Gill has pioneered the use of design in strategy and innovation for 20 years. She was educated as a designer at Manchester Metropolitan University; has an MA in Design Innovation and Strategy from Brunel University; and recently held Carnegie Mellon School of Design’s Nierenberg Chair for 2 years.

      Her early career was as a researcher and developer of public services in play, youth and social action contexts. This used a people-centered practice of connecting local needs, networks and agencies called the community development approach.

      She created the design strategy agency Plot in 2004 after four years as a Design Manager at the UK Design Council. Plot has provided innovation labs, workshops and consultancy for a wide variety of public, private and third sector clients at different stages of their lifecycle.

      Right now, Gill’s attention is focused on Upstarter—the nomadic design-led incubator she has founded. It's mission is to stimulate embryonic enterprises using strategic design thinking, innovation and design methods. The Upstarter programme is active with partners in London, Bristol and Barcelona, and helps bring a mix of social, commercial and creative industry startups to life.

  • Jury Captain

    John Thackara

    Director, The Doors of Perception

    For thirty years, John Thackara has traveled the world in his search of stories about the practical steps taken by communities to realize a sustainable future. He writes about these stories online and in books; he uses them in talks for cities and business; he also organizes festivals and events that bring the subjects of these stories together.

    John is the author of a widely-read blog at and of the best-selling In the Bubble: Designing In A Complex World (MIT Press) – also translated into nine languages. As director of, John organizes conferences and festivals in which social innovators share knowledge.

    John is a Senior Fellow of the Royal College of Art, in London, and a Fellow of The Young Foundation, the UK’s social enterprise incubator. He sits on the advisory boards of the Pixelache Festival in Helsinki, the Future Perfect festival in Sweden, and Design Impact in India. He is also a member of the UK Parliament’s Standing Commission on Design.

    Earlier, John edited the magazine Design for five years, and was later Modern Culture Editor of Harpers & Queen, and design correspondent of The Guardian. He then started a conference and exhibition company ,with offices in London and Tokyo, which created and organised events at the Pompidou Centre, Victoria & Albert Museum, Axis Gallery in Tokyo, and other venues. From 1989-1992, John was Director of Research at the Royal College of Art.

    Among John’s 12 books are Design After Modernism: Beyond the Object (1987) and Lost in Space: A Traveller’s tale (1995). He has lectured in more than forty countries.

Design Education Initiatives

  • Any educational class project, curriculum or institutional level program or tool that furthers the practice of design education or education about design. Examples include: curricular, programmability, system of instruction, mobile educational platform or toolkit, etc. Please note that this is a Professional category only.

    • Becky Slogeris Read More

      Social Design Associate for the Center for Social Design, Maryland Institute College of Art (MICA)

      Becky Slogeris is a Social Design Associate at the Center for Social Design at Maryland Institute College of Art (MICA). She runs the Center's Education and Youth Initiative, which uses collaborative and human-centered processes to explore the most pressing needs of young people in and out of the classroom. Her work is focused on designing project-based curricula and tools to empower students to create change in their communities. Past partners have included Teach for All, Baltimore City Public Schools, Baltimore Urban Debate League, Carrot New York, USDA, FEMA and the White House's My Brother's Keeper. She has a BFA in graphic design and an MA in Social Design from MICA. To see more of Becky’s work, visit

    • Sarah Hemminger Read More

      Co-Founder and Chief Executive Officer, Thread

      Sarah Hemminger co-founded Thread with her husband Ryan Hemminger in 2004. She has eleven years of experience in nonprofit management and expertise in the development, expansion, and replication of innovative, paradigm shifting models of mentoring. Sarah has a deep understanding of the challenges that face students in successfully completing high school and accessing higher education, as well as the potential for students and volunteers to change not only their own lives but also create a positive and lasting impact on those around them. Sarah was awarded fellowships from Ashoka, Echoing Green Foundation, Open Society Institute, and the Albert Schweitzer Fellows Program, which support social entrepreneurs with innovative ideas. In 2010, Sarah received her Ph.D. in Biomedical Engineering from the Johns Hopkins University for her work on the role of the cerebellum and the primary motor cortex on the time scales of consolidation of motor memory.

    • Jess Gartner Read More

      CEO and Founder, Allovue

      Jess Gartner is the CEO & founder of Allouve, an education resource planning platform for K-12 schools and districts. Allouve helps education administrators connect spending to student outcomes. In the past, Jess has taught in numerous schools throughout the world including South Africa and Thailand. She received her M.A in teaching from John Hopkins University.

      She was featured as one of The Baltimore Sun’s 2013 “Women to Watch” as a leader in education and Baltimore Magazine's 40 Under 40. In July 2012, she was a featured panelist alongside prominent education leaders at the Education Technology Innovation Summit in New York City. Her writing and photography has been published in Weekly, Changing, Skillcrush and Women 2.0.

  • Jury Captain

    Mike Weikert

    Director & Founder, Center for Social Design & Master of Arts in Social Design, MICA

    Mike Weikert is founding director of the Center for Social Design and Master of Arts in Social Design at Maryland Institute College of Art (MICA). In 2008, he established MICA’s Center for Design Practice, a multi-disciplinary, project-based studio bringing together students and outside partners to collaborate on innovative solutions to social problems. Previously, he served as co-chair of the graphic design department at MICA, partner/creative director at Atlanta-based Iconologic, and as a design consultant to the International Olympic Committee. In 2011, he was nominated for the Cooper-Hewitt National Design Award and in 2014, received the Ashoka U-Cordes Innovation Award.

Strategy & Research

  • Projects or products that predominantly utilize design research and strategy. Examples include: brand strategies, product and project strategies, research methodologies such as surveys, interviews, studies, observations, varied research throughout projects, etc.

    • Marcel Zwiers Read More

      Co-Founder and Creative Director, 31Volts

      Marcel is co-founder and Creative Director at 31Volts, the experienced service design agency based in the Netherlands. Established in 2007, we started off as the first design agency that applied a design approach to help organizations deal with their service innovation agenda. Besides his work at 31Volts, Marcel leads a Service Design Bachelor program at the Willem de Kooning Academy, one of Netherlands finest Design schools.

    • Harold G. Nelson Read More

      Visiting Scholar, University of Montana, School of Computer Science

      Dr. Harold Nelson is a visiting scholar in the School of Computer Science at the University of Montana. He was the 2009-2010 Nierenberg Distinguished Professor of Design in the School of Design at Carnegie Mellon University. He is a Senior Lecturer in the Graduate School of Business and Public Policy at the Naval Postgraduate School in Monterey, California. Dr. Nelson was the head of the Graduate Programs in Whole Systems Design (WSD) at Antioch University and has held teaching positions in several universities. He is a licensed architect in the State of California and worked as the assistant regional architect for the U.S. Forest Service in San Francisco, California.

      He is a past-president and a trustee of the International Society for Systems Science. He is the co-founding Director and President of the Advanced Design Institute and owner of Harold Nelson LLC; Organizational Design Competence. He has worked with a variety of organizations, including: non-profits and corporations, state and federal agencies, international governments and the United Nations.

      Dr. Nelson received his Ph.D. from the University of California at Berkeley where he designed his own graduate program in Social Systems Design. He received his Master of Architecture degree from U.C. Berkeley, and a Bachelor of Architecture from Montana State University.

    • Hugh Evans Read More

      CEO and Co-Founder, FromHereOn

      Hugh Evans is an entrepreneur and business designer with a focus on large scale enterprise transformation and using design practice in a business context. Since his first venture in 2002 he has founded and led the development of a business portfolio that has guided major transformation investments for organizations across 5 continents, generating more than US$100M in service revenues. Currently Hugh leads FromHereOn (, which is an Enterprise Design firm focused on customer-led strategy, service transformation and redesigning how businesses operate. FromHereOn works with multinational organizations from offices in London and New York.

    • Dr. Yoko Akama Read More

      Senior Lecturer in Communication Design, RMIT University

      Dr. Yoko Akama is a Senior Lecturer in design in the School of Media and Communication and Research Leader of the Design Research Institute at RMIT University, Australia. Her Japanese heritage has embedded a Zen-informed reflective practice in human-centered design. Her design research practice is entangled in social ‘wicked problems’, to strengthen adaptive capacity for disaster resilience in Australia and Japan, and to contribute towards the efforts of Indigenous Nations enact their self-determination and governance.

      Trained as a communication designer, visualization features strongly in her work to catalyze meaning-making, learning and dialogue through participatory interactions. Yoko is a leader and founder of two prominent design networks—Service Design Network and Design for Social Innovation and Sustainability Lab—in Melbourne, Australia. These are fostering a community of practice among academia, business, government and community organizations to share and create knowledge on human-centered design applications.

      She is a recipient of British Council Design Research Award (2008); a Finalist in the Victorian Premier’s Design Award (2012); and two Good Design Australia Awards (2014), which has led to invitations for collaboration and guest lectures at several national and international institutions in the UK, US, Europe and Japan.

  • Jury Captain

    Dr. Melis Senova

    Founder & Director of Strategy & Design, Huddle Design

    As Founder and Director at Huddle, Melis is the main provocateur when it comes to encouraging creative and pragmatic solutions. She is passionate about driving change within organizations with a natural focus on human centricity, design and what it takes to thrive in the 21st century.

    Melis has deep academic qualifications and vast business experience, underpinned by a PhD in Human Factors (user-centered design). Her areas of expertise covers service strategy, strategic service design, experience design, concept prototyping, systems engineering, program management and human factors research.

    Melis is a contributing author to This is Service Design Thinking, the very first textbook on Service Design published in 2011. She sits on the advisory board for the Department of Architecture and Industrial Design at RMIT and is a Senior Research Fellow at the School of Medicine at Monash University.

    Melis is also co-founder of London-based Enterprise Design consultancy FromHereOn.

Speculative Concepts

  • All conceptual designs for further insight, discourse, intervention, experimentation or exploration. Examples include: future scenarios, design explorations, provocations and visionary concepts.

    • Ghislaine Boddington Read More

      Creative Director, body>data>space

      Ghislaine Boddington is an artist researcher, dramaturge, curator and thought leader specialising in body responsive technologies, recognised as an international pioneer in full body telepresence. She has created live links between thousands of participants/audiences across the world for educational, performing arts and creative industries usage since the mid-nineties.

      Ghislaine extends natural interface techniques, advocating the use of the entire body as an interaction canvas. Her work examines the representation of our physical selves and our identities in virtual environments and the hyper enhancement of our human senses through the digital transmission/reception of body data, such as touch, motion, biofeedback and gesture.

    • Cher Potter Read More

      Research Fellow, Victoria and Albert Museum

      Cher Potter is an LCF/V&A Museum Senior Research Fellow. She is currently working as part of the curatorial team for a forthcoming exhibition at the V&A Museum titled The Future: A History.

      As a Design Futurist, her practice has a number of applications in forecasting, research, curating and writing. Before starting at the V&A, she lead the Creative Direction at WGSN Forecasting Agency—the global leader in design research and trends. Here, her reports garnered a readership of over 2,150,000 people within the design industry, and became the source from which many product and fashion industry tendencies emanate today.

      As an expert of design futures, she curated the 23rd edition of the Impakt Arts Festival in 2012 which focused on post western arts and design practice. She has organized design symposiums, ran workshops and presented design trends globally, and her writing has appeared in various publications, including a regular feature on design futures in 032C Magazine.

    • James Auger Read More

      Partner, Auger-Loizeau

      James Auger is a designer, researcher and lecturer whose work examines the social, cultural and human impact of technology and the products that exist as a result of its development and application.

      On graduating from Design Products (MA) at the Royal College of Art in 2001 James moved to Dublin to conduct research at Media Lab Europe (MLE) exploring the theme of human communication as mediated by technology. After MLE he worked in Tokyo as guest designer at the Miyake Design Studio developing new concepts for mobile telephones.

      In 2005 he returned to the RCA to teach on the Design Interactions program. During his time in DI he has been a Philips research fellow exploring the human experiential potential of smell as part of their probes program (2006-2007) and more recently completed a Ph.D (December 2012). The thesis questions the process through with emerging technologies enter everyday life using the robot as a focus for the study.

      James is a visiting professor at both the Haute École d’Art et de Design in Geneva and Musashino Art University in Tokyo.

      He is a partner in the speculative design practice Auger-Loizeau whose projects have been published and exhibited internationally, including MoMA, New York; 21_21, Tokyo; The Science Museum, London and Ars Electronica, Linz. Their work is in the permanent collection at MoMA.

      Before moving into the field of design James completed an Engineering apprenticeship at Rolls-Royce, Derby (aero engines) and worked for several years as a model-maker and special effects technician in the film industry.

    • Jan Boelen Read More

      Artistic Director, Z33

      Jan Boelen (°1967, Genk) graduated as a product designer at the Media and Design Academy (KHLim), now the MAD Faculty, in Genk (B). He currently holds the position of artistic director of Z33 in Hasselt (B) and Head of the Masters Department Social Design at the Design Academy Eindhoven (NL).

      He is chairman of the architecture and design commission of the Flemish Community. Commissioned by the Permanent Deputation of the Province of Limburg, Jan Boelen reformed the Provincial Centre for the Visual Arts into Z33, a house for contemporary art.

      Since 2002, Z33 has been fashioning projects and exhibitions that encourage the visitor to look at everyday matters in a novel manner. It is a unique laboratory and a meeting place for experiment and innovation where one can discover cutting-edge exhibitions with contemporary art and design. Z33 does not have its own collection of works, but accommodates exhibition shows continuously.

      In his curatorial work, Jan Boelen has collaborated with Raf Simons, Studio Makkink Bey, John Körmeling, Thomas Lommée, Dunne & Raby, Marti Quixé, Aldo Bakker, Konstantin Grcic and Joseph Grima.

      In addition to the exhibitions at Z33 – House for Contemporary Art, Z33 also organizes projects in the open space, as well as projects commissioned by other organizations.

      At the initiative of Z33 and the Province of Limburg, Manifesta 9 took place in Belgium in 2012. In 2014 he curated the design biennial of Ljubljana in Slovenia and leaded a series of international debates on the future of design.

  • Jury Captain

    Alexandra Daisy Ginsberg

    Alexandra Daisy Ginsberg is a designer, artist and writer. Seeking new roles for design, Daisy is developing experimental design approaches to help us imagine alternative ideals around technology. Through the design of objects, workshops, and writing and curating, her practice investigates both aesthetic and ethical futures for design. Daisy’s collaborators include scientists, engineers, artists, designers, social scientists, galleries and industry around the world. She began a PhD by practice, The Dream of Better, exploring the idea of a 'better' future, at the Royal College of Art in London, in 2013.

    As Design Fellow on Synthetic Aesthetics (Stanford University/University of Edinburgh, 2010-2013), Daisy curated an international research project, developing novel modes of collaboration and critical discourse between synthetic biology, art and design. Daisy is lead author on Synthetic Aesthetics: Investigating Synthetic Biology’s Designs on Nature (MIT Press, March 2014). She led the curatorial team for Grow Your Own… Life After Nature, a flagship exhibition about synthetic biology at Science Gallery, Dublin (October 2013–January 2014).

    Daisy studied architecture at the University of Cambridge, design at Harvard University and Design Interactions MA at the Royal College of Art. Her work has been exhibited internationally, including MoMA New York, London’s Design Museum, the Art Institute of Chicago, the Israel Museum, the Museum of Contemporary Art, Tokyo and the National Museum of China. Daisy publishes, teaches and lectures internationally: talks include TEDGlobal, PopTech and Design Indaba; she guest-edited Current Opinion in Chemical Biology (December 2012). In 2011, her collaborative work E. chromi was nominated for Designs of The Year and the Index Awards and was collected by the new Museo Delle Scienze in Trento. Daisy won the 2011 World Technology Award for Design and received the first London Design Medal for Emerging Talent in 2012.

    Daisy leads Studio Alexandra Daisy Ginsberg Ltd.

Open Design

  • Projects created by the end-user that are meant to be shared for others to create. Please include the instructions with each submission. Examples include: hacks, mods, recycles, crafts, digital fabrications, etc. *Previously the DIY Category*

    • Mark Hatch Read More

      Chief Executive Officer, TechShop

      Mark is CEO and co-founder of TechShop and a recognized leader in the global maker movement. Under his leadership, TechShop revenue grew 20-fold in five years and multiple new locations have opened across the US. Mark has held executive positions at firms including Kinko’s, Avery Dennison and Health Net. In 2013, his book The Maker Movement Manifesto was released by McGraw-Hill Education. He has been recognized by San Francisco Business Times as one of  the Bay Area’s Most Admired CEOs and by Popular Mechanics as one of 25 movers and makers who are reinventing the American Dream. Mark has spoken at events such as SXSW, Techonomy, TEDx and The Clinton Global Initiative. A former Green Beret, Mark holds an MBA from the Drucker Center at the Claremont Graduate University.

  • Jury Captain

    Jennifer Turliuk

    Co-President, MakerKids

    Jennifer Turliuk is Co-President of MakerKids, a maker learning company that operates one of the only maker spaces for kids in the world. Her work has been featured in the New York Times, Wired, Fast Company, Forbes, a Harvard case study and more. Jennifer keynoted the first MakerCon in Europe and has also spoken at various Maker Faire, MakerCon and TEDx events. She attended the Graduate Studies Program at Singularity University at NASA and business school at Queen’s University. In her spare time, Jennifer does marketing and strategy consulting. She also enjoys dancing, kiteboarding, playwriting and DJing. Follow her on Twitter: @jenniferturliuk.

Jury Captains

  • Consumer Products

    Hoang and Anh Nguyen

    Founders, Creative Session

  • Commercial Equipment

    Dan Harden

    President, CEO & Principal Designer, Whipsaw

  • Furniture & Lighting

    Paul Cocksedge

    Founder, Paul Cocksedge Studio

  • Built Environment

    Laura Allen & Mark Smout

    Senior Lecturers, Bartlett School of Architecture, UCL.

  • Visual Communication

    Astrid Stavro

    Partner & Creative Director, Atlas

  • Packaging

    Nishma Pandit

    Director & Principal Designer, Ticket Design

  • Interaction

    Jill Nussbaum

    Executive Director of Product and Interaction Design, The Barbarian Group

  • Service Design

    Cathy Huang

    President, CBi China Bridge

  • Transportation

    James Thomas

    Industrial Designer, Founder of

  • Design for Social Impact

    John Thackara

    Director, The Doors of Perception

  • Design Education Initiatives

    Mike Weikert

    Director & Founder, Center for Social Design & Master of Arts in Social Design, MICA

  • Strategy & Research

    Dr. Melis Senova

    Founder & Director of Strategy & Design, Huddle Design

  • Speculative Concepts

    Alexandra Daisy Ginsberg

  • Open Design

    Jennifer Turliuk

    Co-President, MakerKids

Why should you enter?

  • To the victor go the spoils, but there are benefits to simply entering your designs in the Core77 Design Awards, whether you win or not. Here are great reasons to submit your work:

  • Just for entering

    Your work is given to a group of design experts who might otherwise never see your ideas, process and perspective. This is a valuable opportunity that could bring you career changing insight on your work.

    You now have a portfolio ready piece to share with others. Entering the Core77 Design Awards requires that your work and your commentary about it is ready to be reviewed by a panel of design experts. This preparation process leaves your submission more than ready to present to future employers. What you learn from entering can be applied to any piece in your portfolio.

    When you win

    Your name and your work are showcased across the Core77 blog and social networks for the entire year. That's an audience of a few hundred thousand people who will become familiar with your designs.

    You get the coveted Core77 Design Awards trophy. Not only is your trophy unique to you and the category you entered, you can use your trophy as a mold to make more trophies. Wax, chocolate and silicone are the most popular replication materials, but the possibilities are limited only by your imagination.

    You earn bragging rights. Of all the people from across the globe that entered, your design was chosen by our jury of experts for being exemplary in its field. Adding this win to your website, resume, LinkedIn profile, etc, could lead to greater career and collaborative opportunities, and at very least, a few jealous friends.

    You are automatically in the running to win the new Community Choice Award...

Community Choice AwardNew

  • New to the Core77 Design Awards, we are proud to introduce the Community Choice Award, an honor decided by the broader design community. We are opening up the awards to public voting so that a "Winner of Winners" can be chosen by you. The grand prize winner of the Community Choice Award will receive the title, plus airfare and accommodations for one to attend the 2015 Core77 Conference in Los Angeles.

  • Here's how it works:

    1) Once the juries make their decisions and the 2015 Design Awards winners are announced, everyone who receives an honor (whether it's Winner, Runner Up or Notable) will be eligible to win.

    2) 15 Community Choice titles will be awarded; one for each of the 14 categories and one grand prize winner that spans all categories.

    3) All eligible designs and projects will be presented here on the Core77 Design Awards website. Public voting will open at 8am Eastern on June 3rd and close at 9pm Eastern on June 22nd.

    4) Every project will have a Facebook "Like" button attached to it and every "Like" the project receives will count as one vote.

    5) When the voting ends on June 22nd, the votes will be tallied to determine which project received the most votes within each category and which project received the most votes overall.

    6) On June 24th, the Community Choice winner for each category and the Grand Prize winner will be announced.


How to Enter

The steps are easy: create an account with Core77, complete an entry form for each project, and submit and pay for your entries. You can enter as many projects as you want and can enter a project into as many categories as applies.

Create an Account

Create an account with the new Core77 website. Please note that if you have created an account in the past, you will still need to create a new account here.

In order to start an entry, click on the awards tab where you can create a new entry, work on a previous draft or view completed and paid entries.

Project Write-up

First, write a brief summary about your project. This should give the jury a brief overview of what your entry is and is limited to 500 words or less. You will have an opportunity to write in greater detail about your work in the “Details” section. This is limited to 1500 words and should include things like process, relevancy and importance.

Prepare Your Images

• You must upload at least 1 image.
• All images must be JPEG, GIF or PNG format.
• The maximum image dimension is 3000 pixels tall or wide (whichever measurement is greater).
• The maximum individual file size is 15MB. No Zip, Stuffit or compressed files.

Prepare 1 Support PDF Document (Optional)

• You may upload one supporting document about your project.
• File must be PDF format with max file size of 15MB with a maximum of 30 pages.

Make a Simple Short Video Testimonial (Optional)

• Keep your video at or under 2-minutes-30-seconds.
• All videos must be in mp4 format.
• The maximum file size for video is 200MB.
• Click on "Video Making Tips" to learn more, gets tips for making your video, and see a variety of examples and approaches (including the low-tech).

Tips for Uploading Your Files

• Ensure that your file is one of our listed compatible file types.
• Double check the size; if it’s too large, it won’t upload!

Please note that if you are selected for an honor in the 2015 Core77 Design Awards, all project assets will be posted for viewing on our website. Do not include anything you do not wish the general public to view.


Getting Started
Who can enter the Awards Program?

Professionals and students from around the world can each enter into any category in the program. Please note the Design Education Initiatives category is a Professional category only.

Does the work need to have been done in 2014?

Your project must have been completed between January 1, 2014 and December 31, 2014. For Professional work, this means launched on the market, produced and released to the public. If you’re not sure if your submission fits these guidelines, send us an email. We can help you determine if it’s eligible. If it’s a Student or Speculative entry, it must have been completed/presented between January 1, 2014 and December 31, 2014.

Can I enter a project that has already won a different design competition?

Of course! Why not get more appreciation for your project? As long as the project was released, launched or completed between January 1, 2014 and December 31, 2014 (see above), you can enter it into this year’s Core77 Design Awards.

Can I enter a collection of designs as a single entry or are they separate submissions?

You can absolutely enter a collection or series as a single entry as long as they share an apparent theme. And keeping in line with our date requirements, the collection must have been released/done between January 1, 2014 and December 31, 2014 (see above).

Can I submit work that I created as a student even though I have graduated?

Absolutely. If the work was done while you were a student, then, well, it’s student work. If, however, you conceived of the idea as a student but then redesigned and launched it after graduation, then the project will be considered a Professional entry.

Can I enter professional work that has not been published or entered the market?

No. Work must have been launched on the market, produced and released to the public between January 1, 2014 and December 31, 2014.

However, if your work is of a speculative/conceptual nature (i.e. eligible for the Speculative category) this rule does not apply because such work is not designed with the goal of being fully realized. In this case, proof of production/manufacturing/market entry is not necessary, but the project must have been completed between January 1, 2014 and December 31, 2014.

Can I submit work by snail mail?

No, all submissions must be made through the Core77 Design Awards website and any work submitted by snail mail will not be considered.

Can I enter work if I am the client?

Absolutely. We want to see the stuff you’re proud of. But we’d recommend hitting up your consultants or in-house design team for the best images and team credits etc., and you are welcome to be in the video testimonial.

Categories and entry types
How do I know which category to enter? What if my work fits into more than one?

We understand that design disciplines are blurring more and more so we encourage you to enter more than one project or the same project in multiple categories. Having trouble deciding which categories are appropriate? Just shoot us an email.

Note that you will need to go through the submission process—submit the entry form, complete the full description, upload all the assets and pay an entry fee—for each category entered. Payment for the entries will be taken once you have concluded and fulfilled all the requirements of your submission.

I’m unfamiliar with the submission category Open Design. What is this and how does it differ from student and professional levels?

While there are various takes on this genre, Core77 Design Awards defines this category as: Projects created by the end-user that are meant to be shared for others to create. Examples include: hacks, mods, recycles, crafts, digital fabrications, etc. Please include the instructions with each submission. This was previously known as the “DIY” category.

Is there an Architecture category?

No, but we do welcome you to submit your interior architectural or exhibition designs into our Built Environment category.

What happened to some of the previous categories?

You probably noticed that some of our categories have changed since last year. We have streamlined our system this year and simplified our categories. Please review the changes below:

Built Environment - Previously Interiors & Exhibitions.
Open Design - Previously DIY. Now open to both Students and Professionals.
Food Design and Soft Goods are now distributed through Consumer Products, Commercial Equipment and Built Environment.
Writing & Commentary is no longer available.

Video Testimonials
How important is the video? Will my entry be less appealing if I don’t provide a video testimonial?

There is great value added by designers when they storytell, talk to clients, make pitches and/or argue for the validity of their work. So essentially, the video is a great option to keep in mind. It doesn’t necessarily have to be a fully edited video; it could low-production and brutally frank. Just have fun with it. If you choose not to include a video, this will not jeopardize your project. Again, we trust our jury to judge work on its merit and not on its bells and whistles.

Will these videos be published, or are they solely for the jury to watch?

Winners, Runners Up and Notables will have their videos published as a compelling part of their entry. You don’t need to worry though; if it’s good enough to help you win, it’s probably something you’re going to want to share.

Will you edit my video at all?

No. But if your video starts with “Hi, my name is James Dyson” and ends with a company logo and URL, it will not be admissible. Let’s ease into this transparency business. (James, please don’t let this discourage you. We want to see your stuff!)

What are the supported file types?

Videos must be in mp4 format.

Other Submission Assets
How many images are we allowed to upload?

There is provision for up to 12 images, but only 1 image is mandatory. Of course, you will want to make the most of the 12 available slots to show off aspects of your design to the jury.

What are the dimensions allowed for each image?

All images must be JPEG/PNG format and prepared in RGB mode. The maximum image dimension is 3000 pixels tall or wide (whichever measurement is greater). The maximum individual file size is 15MB. No Zip, Stuffit or compressed files are acceptable.

What is the maximum dimension allowed for the Supporting PDF?

The maximum file size for the PDF is 15MB.

What about documentation? Our research project will need much more than 250 words.

Please include this information in the supporting PDF.

Honoree Selection
How do I find out if I won?

All Winners, Runners Up, and Notable award honorees will be notified by email.

What do I get if I win?

The selected Professional and Student Winners will receive the Core77 Design Awards trophy.

All Honorees (Winners, Runner Up and Notables) will be published in the 2015 awards gallery and across the Core77 online. All Honorees will also receive a digital “ribbon” that they can add to their website, portfolio, etc. stating their honor and category.

Can I enter a project that’s on Kickstarter?

In order for a Kickstarter project to be eligible, it needs to have been a campaign that was successful, completed, and the products were shipped. If you chose to fund the project yourself regardless of the campaign outcome, then the project must be finished, fully realized and available for public ordering / use. Campaigns that are still in process or campaigns with products that have not yet shipped are not eligible. Please submit them in a future program year.

Please note: Entry fees are non-refundable.


Early Bird Pricing

Students: $40
Professionals: $120

This pricing ends on Tuesday, March 3, 2015 at 9PM Eastern Time.

Regular Pricing

Students: $50
Professionals: $150

This pricing ends on Tuesday, March 24, 2015 at 9PM Eastern Time.

Late Deadline Pricing

Students: $60
Professionals: $180

The final date we will accept entries is Tuesday, March 31, 2015 at 9PM Eastern Time.

Fees and Payment
Can I pay for two or more different kinds of projects?

Yes. You can register as a Professional and enter work that you completed as a Student (say, if you have recently graduated but your submission was completed in school) in addition to work done as a Professional. You will pay according to the type of submission, not registration.

What methods of payment are accepted?

This Awards program accepts Visa, MasterCard, American Express and Discover credit cards.

Please note: Entry fees are non-refundable.

Important Dates

Program Launch: Monday, February 9, 2015

Early Bird Deadline: Tuesday, March 3, 2015 at 9PM Eastern Time

Regular Deadline: Tuesday, March 24, 2015 at 9PM Eastern Time

Deadline: Tuesday, March 31, 2015 at 9PM Eastern Time

Judging: April 2015

Announcements Released: June 3, 2015

Community Choice Voting: June 4 through June 17

Community Choice Announcement: June 19, 2015

Why should I submit my work early?

There is an Early Bird Discount of 20% if you submit your work by March 3, 2015. In general, it’s still best to submit your projects early to avoid the risk of encountering potential technical problems or delays in the deadline rush.

When is the submission deadline?

The absolute final deadline is March 31, 2015. Any work submitted after March 24, 2015 will be subject to a late fee. We encourage you to enter as early as possible.

When will the winners be announced?

The announcements will be available in May 2015.

Have a Twitter account? Include you and your teams @twittername on our entry form. You should also sign up for email updates, follow us on twitter @core77awards, and visit our facebook page to stay in the loop.

Still have questions? Send us an email.

Rules and Eligibility

The Core77 Design Awards offers individuals or teams the chance to win prizes by participating in a celebratory design program. A series of Honorees (“Winner,” “Runner Up” and “Notable”) will have their work selected from among all completed entries that are submitted. The Honorees are selected by a panel of judges called “Jury Teams” headed up by a “Jury Captain” and have been selected by the Core77 Design Awards. Prizes are administered by the Core77 Design Awards (“Administrator”) 561 Broadway, 6th Floor, New York, NY 10012.

The awards program is open to Professionals and Students from around the world. Almost all categories have Professional and Student entry fields. The exception is Design Education Initiatives. This is a Professional category only.

The 2015 program launches on February 9, 2015. All work submitted must have been released (on the market or published) between January 1, 2014 and December 31, 2014 11:59PM Eastern Time to be eligible for entry. If you are entering the Speculative category, or you are entering a Student project, then your work must have been completed and/or presented between January 1, 2014 and December 31, 2014 11:59PM Eastern Time.

You can only enter work that is original and that you have the right or authority to enter and publish. All Professional work must be real and not conceptual unless you are entering the Speculative category. All entries must be in English. Entries or files that do not meet the entry criteria may not be conveyed to the jury. Entrants retain ownership of all ideas and materials/images presented. Individuals can enter as many entries as they wish, provided they 1) Complete the entry form 2) Submit all required assets in the required formats, 3) Pay for each entry, and 4) Agree to the Official Rules.

You can only enter through this website. We will not accept any entries by mail. Late entries will not be accepted.

Participation in the program constitutes winner’s consent to administrator’s use of winner’s entry images, entry statements, name, likeness, voice, opinions, country, hometown, or state for promotional purposes in any media without further payment or consideration.

Entrants selected must comply with all terms and conditions of these Official Rules, and distribution of prizes is contingent upon fulfilling all requirements. All Winners, Runners Up, and Notable award honorees will be notified by email after the announcements have aired during May 2015. We will not notify Honorees before this time. If you do not receive an honor in the 2015 program, you will not be notified. Only Winners will receive the Core77 Design Awards Trophy. All Honorees will receive coverage across the Core77 Design Awards network and will be featured on the Core77 Design Awards website.

Administrator reserves the right, in their sole discretion, to cancel, modify or suspend the program should virus, bugs, unauthorized human intervention, technical failures or any other factor beyond or Administrator’s reasonable control corrupt the administration, security, fairness, integrity or proper operation of the Program. In such event, the Administrator reserves the right to select winners from among the eligible entries received up to the time of impairment. The Administrator reserves the right in its sole discretion to disqualify any individual it finds to be tampering with the entry process or the operation of the Program or to be acting in violation of these Official Rules or the Program in an unsportsmanlike or disruptive manner. Any attempt by any person to deliberately damage Administrator’s web site or undermine the legitimate operation of this Program may be a violation of criminal and civil laws, and, should such an attempt be made, the Administrator reserves the right to seek damages from any such person to the fullest extent permitted by law. Administrator’s failure to enforce any term of these Official Rules shall not constitute a waiver of that provision.

By accepting any of the prizes, the Honorees agree that the Administrator, their respective parents, subsidiaries and affiliated companies, and the agents, employees, directors and officers of these companies, are not liable whatsoever for any injuries, losses or damages of any kind resulting in whole or in part, directly or indirectly, from the acceptance, possession, use or misuse of all elements of the prizes or from winner’s participation in the Program.

Administrator is not responsible for: (1) incorrect or inaccurate transcription of entry information or late, lost, stolen, illegible, incomplete, misdirected entries or entries received through impermissible or illegitimate channels, all of which will be disqualified; (2) technical failures of any kind, including but not limited to the malfunctioning of any telephone, computer, network, hardware or software; (3) the unavailability or inaccessibility of any Web site or service; (4) unauthorized human intervention in any part of the Program; (5) electronic or human error which may occur in the administration of the Program; (6) any injury or damage to persons or property, including but not limited to entrant’s computer, which may be caused, directly or indirectly, in whole or in part, from entrant’s participation in the Program or from downloading any material from Administrator’s Web site(s), regardless of whether the material was prepared by the Administrator or a third party, and regardless of whether the material is connected to the Administrator’s Web site by a hypertext link.

Entrant agrees that: (1) any and all disputes, claims, and causes of action arising out of or connected with this Program, or any elements of the Prizes awarded, other than the administration of the Program or the determination of winners shall be resolved individually, without resort to any form of class action, and exclusively by the appropriate New York State Court located in New York County, New York, U.S.A.; (2) any and all claims, judgments and awards shall be limited to actual out-of-pocket costs incurred, but in no event attorneys’ fees; and (3) under no circumstances will entrant be permitted to obtain awards for, and entrant hereby waives all rights to claim, punitive, incidental and consequential damages and any other damages, other than for actual out-of-pocket expenses, and any and all rights to have damages multiplied or otherwise increased. SOME JURISDICTIONS DO NOT ALLOW THE LIMITATION OR EXCLUSION OF LIABILITY FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES, SO THE ABOVE MAY NOT APPLY TO YOU. All issues and questions concerning the construction, validity, interpretation and enforceability of these Official Rules, or the rights and obligations of entrant, Administrator in connection with the Program shall be governed by, and construed in accordance with, the laws of the State of New York, U.S.A., without giving effect to any choice of law or conflict of law rules or provisions (whether of the State of New York, U.S.A., or any other jurisdiction), which would cause the application of the laws of any jurisdiction other than the State of New York, U.S.A. All federal, state, provincial and local laws apply.

The Administrator will collect personal information from the entrants when entrants fill out the entry form. The information collected is subject to the Privacy Policy of the Administrator.


When you enter, you will check a box to verify that you have the right and authority to enter the work into the Core77 Design Awards, and that the submission is the original work of the parties listed on the Entry Form. You will also confirm that your entry is free of copyright, trademark and patent infringement, and that all appropriate permissions have been secured for their publication by Core77 and the Core77 Design Awards in print, online and digital venues, and in physical exhibitions or events associated with the Core77 Design Awards.

By entering, you agree that neither the Core77 Design Awards nor Core77 are liable for any copyright or other infringement on the part of the entrant or parties listed on the Entry Form, or on the part of any third party. You agree that neither Core77 Design Awards nor Core77 will have any liability or responsibility to you for any claim made by you against any third party, (or any claim made by another person or entity against you or your entry) in connection with these Awards, and it is your responsibility to make sure you have the required releases, licenses, and other necessary clearance to submit your entry.

Core77 reserves the right to remove any entry from the competition for any reason and without notice.

Please note: Entry fees are non-refundable.

Video Making Tips

Learn about our optional Video Testimonial entry component and how it can make a difference. You’ll find Rules and Tips for making your video as well as examples that demonstrate a range of approaches and just how straightforward it can be.

The Short Video Testimonial

It’s optional and encouraged. View this entry component as a rare opportunity to tell the jury about your design, and convey your belief in it, in a way that text and images can’t. You have a maximum of 2 minutes and 30 seconds to share what you set out to do, what’s notable about your design, and why it deserves an award.

Think of it as a "Show and Tell" – holding up your design, doing a demo if appropriate, pointing to distinguishing characteristics, etc. You may use any visuals you like, if you choose to. Since we intend for these to be easy to make, we encourage you to go low-tech and informal, even straight-to-webcam. It’s your testimonial, not the execution of your video, that counts.

Rules for your Video

Your video must be in mp4 format.
• Maintain anonymity as much as possible (no names, no company names, no credits, no logos, or identifying marks, no urls).
• Keep the length of your video a maximum of 2 minutes and 30 seconds. Longer videos will not make it to the jury.
• All videos must be in English.
• There is a limit of one video per entry.

Tips For Creating Your Video

Keep the setting as straightforward and informal as you want it to be.

Make it personal. This is your story told your way. It should have a healthy dose of Point of View and be compelling to watch.

Hit the following points:
• What you were trying to do when you were designing your project.
• What’s great about it, what separates it from what’s already out there and why it deserves the world’s attention.

Have fun while you’re doing it! This is supposed to be a delightful, informative, and personal addition to the required entry materials.

Sample Videos

Get inspiration for your video testimonial from our sample video makers. Explore different approaches (and learn what to avoid). Use props, people, technology; whatever works and is at your disposal.

Example #1: Wear It, Work It, Own It

Last year’s DIY Jury Captain, Becky Stern, does a great job with this example. The subject of her video is her TV-B-Gone project–a jacket with hidden powers–that she created while working atMake: Online and CRAFT. Her approach to the video testimonial? A combination of demoing the jacket (wearing it, showing how it works) and zeroing in on the details so we can see the components and how it was all put together. It’s a great example of a video that is part personal, part produced, and all narrative, with a continuous voiceover that stitches the parts together with a nice flow, keeping us, the audience, engaged.

Note: Becky’s video came in at 1-minute-30 seconds. You do not have to be quite as efficient so long as you don’t exceed the 2-minute-30-second limit.

Example #2: Use Place or Props

Lavrans Løvlie, Director of Live/Work in Oslo, contextualizes his testimonial by filming across from the site of his office’s project. Employing a stack of blown-up text and images, he talks the viewer through the most notable points of the project: the service design for Oslo’s new Public Library. His video testimonial is direct and precise while providing a sense of place (bonus points for snow!).

Note: Lavrans introduces himself at the start of his video and the video concludes with Live/Work’s url. However, entrants must keep their video anonymous.

Example #3: Tell It to Somebody Else

Recruit a friend/collaborator, as Craig Mod does. In his video, the writer/designer/developer introduces us to his Hitotoki project, a protocol that collects moments and maps them on the web, by way of an interview-style exchange with his friend and interaction design colleague Liz Danzico. Since Liz is thousands of miles away, they record their exchange over the Internet. Craig’s is a perfect example of how you can use your computer, the web and a willing interviewer to make a testimonial. Craig captures his using Quicktime’s screen record function which also allows him to demo the Hitotoki site. Easy.

Note: At over 3 minutes, Craig breaks our 2-and-a-half minute rule so, watch that clock!

Example #4: Give the Tour

Let your cursor do the walking. Perhaps your project is best told with digital images or diagrams, or by clicking through a website. Or maybe you just prefer to be behind the camera. As Dror Benshetrit, of Studio Dror, shows in his video testimonial, a "screencast" will record a straightforward presentation of digital assets and a voiceover. Using Jing, the online screencasting software, and a bunch of files on his computer, Dror narrates a seamless journey through his QuaDror system, simply by clicking from one image to another and telling us what we’re seeing. Easy to set up, works with files you already have, and best of all, you needn’t leave your chair.

Sign up to be notified when the entry period is open

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The Core77 Design Awards site will, in appropriate circumstances, terminate the accounts of users who infringe the intellectual property rights of others. If you believe that your work has been used or copied in a way that constitutes copyright infringement and such infringement is occurring on this site or on sites linked to this site, please provide us with notice containing:
• A physical or electronic signature of the person authorized to act on behalf of the owner of the copyright interest that is alleged to have been infringed
• A description of the copyrighted work or works that you claim have been infringed and identification of what material in such work(s) is claimed to be infringing and which you request to be removed or access to which is to be disabled
• A description of where the material that you claim is infringing is located on our site
• Information sufficient to permit the Core77 Design Awards site to contact you, such as your physical address, telephone number and email address
• A statement by you that you have a good faith belief that the use of the material identified in your notice, in the manner complained of, is not authorized by the copyright owner, its agent or the law
• A statement by you that the information in your notice is accurate and, under penalty of perjury, that you are the copyright owner or authorized to act on the copyright owner’s behalf.

By mail:
Core77, Inc.
561 Broadway
6th Floor
New York, NY 10012

By fax: 917-591-8682


You agree that the Core77 Design Awards site may terminate your password, account or use of our service immediately, without prior notice, and remove and discard any content within our service, if we believe that you have violated or acted inconsistently with the letter or spirit of the Terms of Use; if you infringe third party intellectual property rights; for lack of use; or if we are unable to authenticate any information that you have provided to us. Further, you agree that the Core77 Design Awards site shall not be liable to you or any third-party for any termination of your access to our service.

Alternatively, we may choose to remove some or all of your content or make it private. The Core77 Design Awards site may also immediately deactivate or delete your account and all related information and files in your account and/or bar any further access to such files or our service. Following the termination, we may remove some or all of your content from our servers or elect to retain it, at our sole option.

Any payment obligations incurred prior to the termination of this agreement, shall survive such termination. In no event shall any refunds be paid.


The Terms and Conditions of Use and the relationship between you and the Core77 Design Awards site shall be governed by the laws of the State of New York without regard to its conflict of law provisions. You and the Core77 Design Awards site agree to submit to the personal and exclusive jurisdiction of the courts located within the county of Westchester, New York.

These Terms of Use constitute the entire agreement between you and the Core77 Design Awards site and govern your use of the service, superceding any prior agreements between you and us. You also may be subject to additional terms and conditions that may apply when you use affiliate services, third-party content or third-party software. You and the Core77 Design Awards site are independent contractors, and no agency, partnership, joint venture, employee/employer or franchisor/franchisee relationship is intended or created by these Terms.

Our failure to act with respect to a breach by you does not waive our right to act with respect to subsequent or similar breaches. We shall not be liable for any delay or failure to perform resulting directly or indirectly from any causes beyond our reasonable control. If any provision of the Terms and Conditions of Use is found by a court of competent jurisdiction to be invalid, the parties nevertheless agree that the court should endeavor to give effect to the parties’ intentions as reflected in the provision, and the other provisions of the Terms of Use remain in full force and effect.

Except as explicitly stated otherwise, any notices shall be given by certified mail, postage prepaid and return receipt requested, to the address provided on this page or to the address you provide to us during the registration process. Notice shall be deemed given three days after the date of any mailing.

You agree that regardless of any statute or law to the contrary, any claim or cause of action arising out of or related to use of the service or the Terms of Use must be filed within one year after such claim or cause of action arose or be forever barred.

Liability For Our Server

The company does not warrant that the site will operate error-free or that the site and its server are free of computer viruses or other harmful mechanisms. The site and material are provided on an “as is” basis without any warranties of any kind whether express or implied, including, but not limited to the implied warranties of merchantability, fitness for a particular purpose and non-infringement.

We do not guarantee continuous or uninterrupted access to your account and make no warranty as to the operation, functionality, or availability of the site, or that the site or materials or content provided will be error-free, or that defects will be corrected. If your use of the Core77 Design Awards site results in the need for servicing or replacing equipment or data, the Core77 Design Awards site is not responsible for those costs.

Any material downloaded or otherwise obtained through the use of the service is done at your own discretion and risk and that you will be solely responsible for any damage to your computer system or loss of data that results from the download of any such material.

Member Conduct

You understand that all information, data, text, software, music, sound, photographs, graphics, video, messages or other materials (“content”), whether publicly posted or privately transmitted, are the sole responsibility of the person from which such Content originated.

This means that you, and not the Core77 Design Awards site, are entirely responsible for all content that you upload, post, email, transmit or otherwise make available via our site.

You agree to not use our site to:
• Upload, post, email, transmit or otherwise make available any content that is unlawful, harmful, threatening, abusive, harassing, defamatory, vulgar, obscene, libelous, invasive of another’s privacy, hateful, or racially, ethnically or otherwise objectionable
• Harm minors in any way
• Impersonate any person or entity or otherwise misrepresent your affiliation with a person or entity
• Forge headers or otherwise manipulate identifiers in order to disguise the origin of any content transmitted through this site
• Upload, post, email, transmit or otherwise make available any content that you don’t have aright to make available under any law or contractual or fiduciary relationships (such as inside information, proprietary and confidential information learned or disclosed as part of employment relationships or under nondisclosure agreements)
• Upload, post, email, transmit or otherwise make available any content that infringes any patent, trademark, trade secret, copyright or other proprietary rights of any party
• Upload, post, email, transmit or otherwise make available any unsolicited or unauthorized advertising, promotional materials, “junk mail,” “spam,” “chain letters,” “pyramid schemes,” or any other form of solicitation
• Upload, post, email, transmit or otherwise make available any material that contains software viruses or any other computer code, files or programs designed to interrupt, destroy or limit the functionality of any computer software or hardware or telecommunications equipment
• Disrupt the normal flow of dialogue, cause a screen to “scroll” faster than other users of the service are able to type, or otherwise act in a manner that negatively affects other users’ abilities to engage in real time exchanges
• Interfere with or disrupt the service or servers or networks connected to the service, or disobey any requirements, procedures, policies or regulations of networks connected to it
• Intentionally or unintentionally violate any applicable local, state, national or international law
• “Stalk” or otherwise harass another; or collect or store personal data about other users


The Core77 Design Awards site makes no warranty that:
• The service will meet your requirements
• The service will be uninterrupted, timely, secure, or error-free
• The results that may be obtained from the use of the service will be accurate or reliable
• The quality of any products, services, information, or other Material purchased or obtained by you through the service will meet your expectations

Modifications to Agreement or Service

The Core77 Design Awards site reserves the right at any time to modify or discontinue, temporarily or permanently, all or any part of the service with or without notice. You also agree that we shall not be liable to you or to any third party for any modification, suspension or discontinuance of our service.

In addition, we may amend this agreement by posting the amended version on the site and making it available via a link from our home page. You agree that any continued use of this site after such amendment shall signify your acceptance of any such amendment. Otherwise, this agreement may not be amended except in a writing signed by both parties.

Please note: Entry fees are non-refundable.