Projects, whether physically or digitally produced, designed for the purpose of cultural commentary, intervention, or exploration, or created as speculative design for a client or educational institution. Examples include: future scenarios, social critique
Radha Mistry has a background in architecture, narrative environments, and strategic foresight. As the Practice Leader for Foresight at Autodesk, Radha explores the impact of emerging technologies and how it will change the way we design and make things in the future. Prior to Autodesk, Radha focused on the Future of Work with the Steelcase Applied Research group. Her work sought out ways organizations could drive Innovation through design. Previous to Steelcase, Radha was part of the Arup Foresight + Innovation team in London and San Francisco, crafting speculative futures for global clients; and was one of the original co-founders of GOATstudio in New Orleans — bringing some “swagger” and better opportunities for young architects. Radha has also exhibited during the Lisbon Architecture Triennale and worked on design-led community engagement initiatives in cities across Europe.
As the Founder of Protopia Futures, Monika Bielskyte is the architect of a platform and a community to proactively prototype inspiring and actually livable future visions. Her journey as a nomadic explorer in over 100 countries has given her first-person experience of the interconnectedness between human cultural priorities and the unfolding future.
Monika was born in the Soviet Union, and grew up in the newly liberated Lithuania, before leaving the country at age 17. Her perspectives as a futurist have been shaped by the collapse of the physical boundaries of a totalitarian regime, and the opening up of the digital world – its opportunities and its harms. She currently resides in Johannesburg, South Africa – which gives her deeper insights into broader futures perspectives, beyond the imaginations of the Global North.
Monika started her career as a creative – working on movie sets in her late teens and progressively moving towards the bleeding edge of technological innovation and scientific research by her mid-20s. Her multicultural and multidisciplinary background, as well as an uncompromising focus on the intricate relationship between future fictions and real-life, have guided her on a journey that makes her voice clearly distinct in today’s foresight industry.
Monika has worked not only with established global media, tech and lifestyle companies such as Universal, Google, Nike, BBC and the WEF, but also various governments and cities. Her contributions have resonated across both industry corridors and academia, from The Royal
Society to CERN.
Robert Bolton is a Canadian artist, strategist, and principal at the foresight studio, From Later. Recognizing art works and practices as powerful antennae for detecting change, Robert experiments with ways of understanding and imagining how emerging ideas, technologies and cultural phenomena may influence longer-term futures. As an advisor to decision-makers within all matter of organizations, Robert leads interdisciplinary teams, developing strategies for long-term growth and resilience. Robert was a National Science Foundation AoSL Innovation Fellow and holds a Masters of Arts in the Humanities from the University of Chicago. His essays on the future of DIY biotech have been published by MIT Press’s Innovations Journal and the Eindhoven University of Technology’s Next Nature Lab. In 2019, Robert instructed a course on strategic foresight at CityLAB: Berlin — a satellite campus of Norwich University.
Tobias Revell is an artist and designer. Spanning different disciplines and media his work addresses the urgent need for critical engagement with material reality through design, art and technology. Recent work has looked at the idea of technology as a territory, expectations of the future, rendering software and the occult and supernatural in pop culture discussions of technology.
He holds a BA Hons. (1st) in Design for Interaction and Moving Image from the London College of Communication and an MA in Design Interactions at the Royal College of Art from which he graduated in July 2012.
As well as being an internationally exhibiting artist, Programme Director of Graphic Design Communication at the London College of Communication, a founder of Supra Systems Studio and a founding member of research consultancy Strange Telemetry. He is one half of Haunted Machines, a research and curatorial project curating Impakt festival 2017 in Utrecht, NL. He is undertaking a PhD in the Design Department at Goldsmiths, University of London.