The Compound Camera is a twenty-foot inflatable installation composed of 109 pinhole cameras, each of which projects a slightly different view of the surrounding environment onto its interior surface. The structure's flexible fabric invites visitors to push on and distort the projected images, allowing them to play with the fundamental properties of light, optics, and vision in a tangible way. In our increasingly digital world, the Compound Camera offers an analogue perspective; it reminds us that relatively simple construction methods and old technologies can continue to profoundly impact how we perceive our surroundings.
Opaque ExteriorThe piece looks like an opaque, dark space from the outside.Cassidy Batiz
Translucent InteriorThe inside wall displays many images of the outside environment.Cassidy Batiz
Immersive SpaceImages fully encompass visitors creating an immersive space.Cassidy Batiz
Fractured RealityEach inflated cell displays a slightly different image than the cells surrounding it, creating a multiplied and fractured whole.Cassidy Batiz
Soft and SquishyThe firm inflated fabric encourages spectators to touch the piece.Cassidy Batiz
Fully AnalogMany visitors looks for projectors or wires to explain the experience.Cassidy Batiz
Adjustable Focal LengthThe focal length can be changed by pushing the cell in, bringing different objects in the "scene" into focus.Cassidy Batiz
Bulbous SurfaceAir pressure causes the wall to expand into pleasing round cells.Cassidy Batiz
Diagram of ExposureThe Compound Camera acts as a diagram of how exposure levels work in modern cameras.Cassidy Batiz
Double Membrane InflatableAir pressure is encapsulated in the wall. Visitors are never actually entering the pressurized space.Cassidy Batiz
Outside and Inside InteractionsOnce visitors understand that they are viewing the outside environment, they will often go outside and dance in front of the cameras.Cassidy Batiz
Geodesic GeometryFlat pentagon and hexagon panels are joined in a geodesic pattern to create a dome.Cassidy Batiz
The first cameras ever created were called "camera obscuras," meaning "dark room" in Latin. A camera obscura utilizes a simple optical phenomenon a pinhole placed on the exterior of a darkened chamber allows a small amount of light to travel through the chamber and project an inverted image of whatever is outside onto the opposing surface. Observations of this phenomenon date back as far as 500 B.C.. This ancient technology has been used over the years by artists, and, with the addition of lenses, serves as the foundation to all modern cameras.
The Compound Camera builds on the same principles as the traditional camera obscura, with a few tweaks. For one, while most cameras use rigid materials, the Compound Camera it is a flexible structure made entirely out of light blocking fabric and air. Second, each of its 109 cells contains a single magnifying glass over the pinhole that focuses the incoming light to create a crisp image without having to increase the volume of the cell. These hexagonal cells, which are each a small camera, are arranged in a geodesic pattern to form a dome, giving viewers a novel experience of their surroundings that can be compared to being inside a fly's compound eye.
Much of the inspiration for this piece comes from the biology underlying human perception. Many people don't realize that at any given moment we can only see a two-dimensional representation of whatever is in front of us. It is only after our brains stitch together multiple images from different perspectives that we perceive our surroundings to be three-dimensional. The Compound Camera puts many perspectives on a single surface, revealing the multi-layered nature of vision and challenging visitors' perception of their world. Its pneumatic flexibility simultaneously introduces an element of play into this experience, allowing visitors to tangibly tap into their own curiosity while facilitating an exploration of the fundamental properties of light and optics.