It is with much gratitude and admiration that we celebrate the jury alumni members of the Core77 Design Awards.
Born in 1958, designer, President of Nippon Design Center, Inc, and professor in Musashino Art University.
He attaches importance on “invisible” design as well as “visible” design and constantly broadens the horizon and scope in design.
Art Director of MUJI since 2002. Additionally, he has produced many exhibitions, such as “RE DESIGN”, “HAPTIC” and “SENSEWARE”, which focus on value renovation. His books, “Designing Design” and “White”, are translated into many different languages and gained great popularity in many countries.
Demian Horst is since 2009 Programme Director for Transportation Design at Umeå Institute of Design (UID), Umeå University, Sweden. UID provides one of the world’s most highly ranked design educations and Demian started in his current position as the youngest director for a masters programme in the history of the school. Prior to this he has worked several years at General Motors in Germany, had a strong cooperation with Saab Automobile during his master studies, developed applied research together with Volvo Truck Corporation and also dedicated a few years in his early career to designing busses and coaches. Demian holds an MA from UID in Sweden and a BA acquired in his native Brazil.
At the Umeå Institute of Design he is also a member of the leadership group, holding strategic collaboration matters as his main responsibility. Being very aware of the importance that transportation has on quality of life, his task is to promote the generation of new knowledge on the subject and to continuously develop the best conditions to educate highly skilled, responsible and creative transportation designers for the industry of the future.
Arthur Huang is a structural engineer, architect and innovator of loop economy building material solutions. He founded Miniwiz in 2005 and has led the firm since.
Miniwiz is a global leader in post-consumer recycling technology with applications focused around built infrastructure and architectural solutions. For over 10 years, Miniwiz has been challenging the existing linear supply chain by using post-consumer recycled materials for high performance applications, retail store interiors, factory campuses and consumer goods.
Miniwiz gained recognition worldwide for first executing upcycling technologies and developing solutions that enable the switch to the circular economy. Three National Geographic Channel Episodes have been dedicated to Miniwiz , documenting the following Miniwiz Projects: The Ecoark Museum, the worlds first nine story tall museum made form post-consumer Materials (2010), Polliboat (2011), SDTI electronic waste recycling campus (2015). Miniwiz brought trash materials to the retail industry, equipping Nike’s high-end stores (Nikelab) with fixtures made from trash, in the heart of the world’s most premium cities: NYC, London, Paris, Milan, Shanghai, Hong Kong and Tokyo.
Among other honors, Miniwiz under Arthur Huang’s leadership won the Financial Times’ “Earth Award” in 2010 and The Wall Street Journal’s “Asian Innovation Award” in 2011. Miniwiz received the “Technology Pioneers 2015” title by the World Economic Forum, recognizing the potential of the new industry that Miniwiz is leading and the positive impact of its activities on the state of the world.
Miniwiz holds invention patents and trademarks for various mechanical and chemical up-cycling technologies, including Polliber™, a composite made of reprocessed organic waste with recycled polymers, Natrilon™, a yarn made of recycled PET reinforced with Nano SiO2 from rice husk, Pollibrick™, a mechanical interlocking system, and many others.
Somchana Kangwarnjit graduated from King Mongkut's Institute of Technology Ladkrabang with a degree in industrial design.
In 2009, he founded Prompt Design, helping his clients to build brands and businesses by delivering new experiences in strategies and design executions. Prompt Design’s clients include Nestlé, CP, Singha Corp, Lotte, Glico, FrieslandCampina, Cargill, Boots, etc.
He is regularly invited to be a committee or jury member for design competitions and often serves as a guest columnist and professor for many publishers and top universities.
Somchana has won several awards :
Platinum, Gold, Silver and Bronze Pentawards, Asian Young Designer of the Year from Designnet, The Dieline Awards, IF Design Award, Red dot, Fab Awards, Communicator Awards, ASIA Star Packaging Award.
Bethany Koby is a mom, designer, educator and the co-founder of Technology Will Save Us. Technology Will Save Us is on a mission to spark the imagination using hands-on technology. Their beautifully designed DIY Gadget Kits and digital resources are the most accessible way to make, play, code and invent with technology.
Jim Kraimer is Director of Industrial Design for EMEA & China at Crown Equipment Corporation, which is a leading manufacturer of lift trucks and related products and services. Jim likes to dig deep into research and leverage new technologies that reimagine a new user experience. A key example is Crown’s QuickPick Remote® -- the world’s first glove-controlled order picker vehicle -- which is ushering in a new era of game-changing automation. Crown has won over 100 major international design awards and was recognized by Fast Company Magazine as Thirty Companies that Get Design. Prior to Crown, Jim developed futuristic products for Electrolux’s visionary Concept Design Team, and also worked at design consultancies in the USA and Germany. Jim holds 18 utility patents and has been a juror for Core77, iF Design and China Red Star Design awards. He studied Industrial Design under the tutelage of Paul Down, FISDA, at the University of Notre Dame.
Donna Lichaw brings over 15 years of experience guiding startups, non-profits, and global brands in optimizing their digital products and services by providing them with a simplified way to drive user engagement through impactful storytelling. As a consultant, speaker, writer, and educator, she utilizes a ‘story first’ approach to help teams define their value proposition, transform their thinking, and better engage with their core customers.
She began her career as a designer and user experience strategist for multiple startups and design agencies in New York and London, working with brands like Casio, Capitol Records, Sony Pictures, and Seamless. Prior to her career in technology, she refined her talent for storytelling and narrative development as an award-winning documentary filmmaker.
Now recognized as a thought leader in storytelling and customer engagement strategies, she has presented as a keynote speaker at design and technology conferences in the US, Canada and Europe, and taught courses at New York University, Northwestern University, The School of Visual Arts, and Parsons the New School for Design. Her upcoming book – “The User’s Journey: Storymapping Products That People Love” is out now. You can find her on Twitter @dlichaw and on the web at www.donnalichaw.com.
Hyuntaik Lim is the director at Samsung Design Europe (SDE), a London-based creative design office that specialises in European, story-led industrial design, UI and UX.
Hyuntaik established a design language with Samsung design centre when he was working in Samsung design HQ, Seoul. He accomplished many successful designs within the A/V cluster team and in the Mobile cluster as a team leader.
Hyuntaik started working at Samsung in 1996. He took a sabbatical to work for Ideo in Palo Alto between 2003-2004. Whilst studying his Master’s degree at the Design Academy Eindhoven, he founded and ran a design studio with Korean government support. He then moved to London and joined SDE as creative lead in 2009. Moving on to product director, he now leads and develops projects across all categories of Samsung electronics.
Derrick Lin founded Packaging of the World in 2008 and has led the website to become one of the most prominent packaging design portals in the world. He is also the co-founder and Art Director of Mojo Red, a boutique creative company in Singapore.
Packaging of the World has grown to become the daily inspiration website for designers from all around the world by publishing some of the most interesting and creative projects from large global agencies to students. The audience includes packaging designers, graphic designers, advertising agencies, students, manufacturers and suppliers, garnering over a million impressions every month. Through the website’s business directory, agencies and suppliers can now easily link up and create business opportunities.
Today, Derrick Lin is always thinking of new innovative ideas to improve the packaging community as a whole. He is obsessed with, and passionate about, great packaging design.
Alexis Lloyd is the Creative Director of The New York Times Research & Development Lab, where she investigates emerging technologies and prototypes future concepts for news and media. Her work is focused on creating immersive and exploratory experiences through innovative physical-to-digital interactions, data visualization and screen-based interfaces.
Before joining The New York Times Company in 2007, Ms. Lloyd designed award-winning projects for Columbia University, FOX, American Express, The New York Historical Society and PBS, among others. Additionally, her media artwork has been shown at international venues such as the Cooper-Hewitt National Design Museum, SIGGRAPH, the Chelsea Art Museum and Symphony Space.
Ms. Lloyd received her Bachelor of Arts from Vassar College and holds an MFA in Design and Technology from Parsons The New School for Design.
Maggots. Sheep stomachs. Seaweed. German-born designer and researcher Julia Lohmann investigates and critiques the ethical and material value systems underpinning our relationship with flora and fauna. She is Professor for Design at the University of Fine Arts, Hamburg (HFBK) and directs her eponymous London-based design practice. Julia studied at the Royal College of Art, where she has also taught and is currently engaged in an AHRC-funded collaborative PhD scholarship between the RCA and the Victoria & Albert Museum. As designer in residence at the V&A in 2013, she established the Department of Seaweed, a transdisciplinary community of practice exploring the marine plant’s potential as a design material. Julia Lohmann’s work is part of major public and private collections worldwide and has received awards, bursaries and support from the Esmée Fairbairn Foundation, the British Council, Jerwood Contemporary Makers, D&AD, Stanley Picker Gallery, the Arts Foundation and the Wellcome Trust.
Matt Malpass is responsible for the Coordination of MA Industrial Design at Central Saint Martins: University of the Arts London. His research and practice centre on critical, speculative and socially responsive design practice. He has written extensivly on critical design practice and is the author of the forthcoming book Critical Design in Context: History, Theory and Practice.
Jon Marshall is the Co-Founder and Design Director at Map, a London-based creative consultancy that specialises in strategy-led industrial design, packaging design and UX/UI. Map’s clients include some of the most innovative and well-known companies in the world such as Virgin Atlantic, Google, Yamaha and Panasonic alongside ambitious growth companies such as Kano, Sam Labs, and Sabi.
Most recently, Jon has worked with inventive start-up BeeLine on the design of an intuitive cycle navigation device. The device puts cyclists back in control of their journey, rather than being trapped in a turn by turn navigation system. BeeLine successfully launched on Kickstarter in November 2015 and received over £150,000 of funding, surpassing their goal of £60,000. Map is also working with an emerging talent on the design of an innovative cycle safety product.
Jon graduated from the Royal College of Art in 1996 with a Masters degree in Industrial Design and then worked at leading design firms Pentagram and Ross Lovegrove. He joined Barber & Osgerby as Studio Director in 2003 and developed some of the studio’s most iconic furniture and products such as the De La Warr Pavilion Chair, Tab Lamp and the 2012 Olympic Torch before co-founding MAP with Barber & Osgerby in 2012.
Heather is the Vice President of Design at Smart Design, a design and innovation consultancy. She leads multidisciplinary global teams on large-scale digital projects across all industry sectors from Smart’s London studio.
She has worked in design for 18 years throughout Europe and is recognized as one of the leading authorities in interaction design. In order to learn more about software development, she studied interaction design at the Royal College of Art in London. After graduating, she worked at the RCA as a visiting tutor and Research Fellow and co-founded the Appliance Design Studio between the RCA, IDEO and Hewlett-Packard Labs. In 2000, she joined IDEO where she worked as a senior interaction designer and project lead for the Prada NYC flagship store with OMA/Rem Koolhaas.
Throughout her career, she has kept a keen interest in education. In 2003, she moved to Italy to work as an Associate Professor at the Interaction Design Institute Ivrea (IDII), where she specialized in tangible computing and became the Academic Director. In 2006, she moved to Denmark where she co-founded the Copenhagen Institute of Interaction Design (CIID). Positioned as a design school, consultancy and research lab specializing in interaction design, CIID was listed as one of the world’s best design schools by Business Insider in 2012.
Her client work spans transportation, finance, healthcare, media, telecom, retail and automotive. She is a regular speaker in Europe and her work has been recognised through international press and design prizes, including a Gold and Bronze Business Week Awards for her work with Prada. She was also listed as one of the 40 most influential designers in the world under the age of 40 by Wallpaper Magazine and was recently a judge for the Braun Prize 2015. She has a bachelor’s degree in product design from the University of Northumbria and a master’s degree in interaction design from the Royal College of Art.
David McKendrick is an British art director and graphic designer. In 2014 he founded B.A.M. with business partner and fellow art director Lee Belcher. B.A.M. is a london based creative agency specialising in art direction, design, publishing and branding.
Formerly creative director at British Esquire. Mckendrick graduated from Glasgow School of Art in 2000 and began his career as a Designer at Graphic Thought Facility, one of the most innovative design companies in London. The group produced work for The Tate Gallery, Booth-Clibborn Editions, the Design Museum, the V&A and Habitat, among others.
Previously, McKendrick worked as Art Editor of the Bespoke department at Wallpaper* magazine and as a Senior Designer at the fashionable design group, North.
In 2009 McKendrick was named BSME (British Society of Magazine Editors) Art Director of the Year. In 2008 he was also named PPA (Periodical Publishers Association) Designer of the Year. In 2007 he won Best Magazine Design at the MD&JA (Magazine Design & Journalism Awards)n for Esquire's relaunch.
In November 2015 he was awarded the honorary degree of Doctor of Design at Southampton Solent University. McKendrick also is a visiting lecturer and guest tutor at, Glasgow School of Art, Bath School of Art and Design, Southampton Solent University and most recenly Nottingham Trent University.
Shashank Mehta is a principal faculty of Industrial Design at the National Institute of Design, Ahmedabad. Currently, he is the Activity Chairperson of the Institute’s Professional Education Programme.
Over the last five and half years, Shashank also served as the project head of the Design Clinic Scheme for MSMEs, a unique and ambitious design intervention scheme for the country’s large MSME sector. Supported by the Ministry of MSMEs, Government of India, the scheme reached out to over 200 MSME clusters through organization of Design Sensitization Seminars, Design Awareness Programmes and Design Projects.
Over the years Shashank has taught at the Undergraduate and Postgraduate levels, spanning various design disciplines. Shashank has spearheaded the introduction of new course modules 'Design Process', ‘Indigenous Innovations’, ‘Service Design’, ‘Design Audit’, and ‘Introduction to Experience Design’, that are in sync with the rapidly changing demands and aspirations of the industry and economy in general. He also anchored and conducted several workshops on these topics for the participants from various sectors of industries. In 2007, he developed the vision report and the curriculum for the four year undergraduate programme in Product Design. Shashank also developed curriculum for the Postgraduate Programme in Product Design Engineering.